Posts in tag

album review


Album Review: The Jesus and Mary Chain reveal their stunning ‘Glasgow Eyes’ – an intoxicating mix of swagger and attitude with just a hint of reflection.

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News: Viji’s debut album is far from “Vanilla”

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Album Review: Oh crap! There’s a new Evil Blizzard album

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Soothsayers’ latest tickles your ears in all the right spots; the music evolves and shifts from a strong and aware roots through jazz and Afro and more, all the while softly educating you and guiding you and letting you know you have to be watchful, stay alert, and also stay strong and connected. That’s how we’re gonna get through all and any of this.

Coldharbourstores’ fourth is absolute industry standard dreampop – a hallmark by which the genre can be measured. It’s glowing, blissful and leftfield, while still being full of pop melodicism

While this may be her third album, you get the feeling this is merely the tip of the iceberg and there is so much more in terms of potential and ability at her disposal

Meditative, soothing chamber-folk from the long-standing collaborative project – a lockdown soundtrack

Dutch doom/noise trio Farer have released a uniquely sounding EP with the use of vocals, drums and just two bass guitars. The guys have created an unearthly soundscape of heavy grinding riffs and deep pulsating rhythms over 4 tracks that each exceed 10 minutes in length. As the guys state: “Monad is a testament to …

With their first EP Monad, see our review here, Farer have created 4 tracks of despair and suffering using two bass guitars, drums and the human voice in all its severe forms. An intriguing combination and something we wanted to know about. Luckily we managed to sit down and set some questions to Frank de …

Ana Roxanne’s debut LP for Kranky is a beautiful, ambient album that examines ideas about gender, identity and beauty whilst remaining ultimately soothing. It’s one to return to when in need of solace.

If you’re a fan of the shearing and crushing end of the dance music spectrum – anything from (on-form) The Prodigy through Harthouse and Tresor styles – and fancy the idea of that real defleshed aesthetic spliced with some darker downbeatz interludes, this is a record you’d find rewarding to explore

Ian William Craig & Daniel Lentz’s FRKWYS Vol.16: In A Word is a fragile and beautiful work for classical voice, piano, and tape decay, roaming across a broad and brittle hinterland between Gorecki and Basinski