ANTI-
Album review: Lightman Jarvis Ecstatic Band – ‘Banned’: a fever dream of impressionistic acid-folk-soul for the jaded ear
BY THEIR name, they sound like they should be some great lost Moog-psych outfit from ’69, and weird and wonderful is definitely a touchstone for the Lightman Jarvis Ecstatic Band, be sure. It’s the musical mind-melding of Yves Jarvis, whose album from last autumn, Sundry Rock Song Stock, was a really clever and rather ace …
News: Andy Shauf announces a British and European tour for next year; see the video for the caustic tale, ‘Living Room’
EXPONENT of beautiful baroque pop Andy Shauf has unveiled a 26-date tour of Europe and the UK in support of his excellent 2020 album The Neon Skyline, a lovely addition to his canon which of course, what with viruses and all, he hasn’t as yet been able to bring across the Atlantic. You’ll find those dates …
See: The trippy CGI video for Lightman Jarvis Ecstatic Band’s ‘Elastic Band’: Yves Jarvis and Tasseomancy’s Romy making free and wonkily beautiful music
THEY SOUND like they should be some great lost Moog-psych outfit from ’69, and weird and wonderful is definitely a touchstone for the Lightman Jarvis Ecstatic Band, be sure. It’s the musical mind-melding of Yves Jarvis, whose album from last autumn, Sundry Rock Song Stock, was a really clever and rather ace melange of political …
See: Jade Jackson – ‘6FT Changes’: a Californian country lament for the disconnect of social distancing
JADE JACKSON, the husky-voiced country singer-songwriter who’s been making waves with her particular caress of the country form since Gilded, her 2017 debut for ANTI-, has dropped a softly haunting new tune looking at the socially distancing rules that keep us from the intimacy of touch. With a delicate hush she sings: “Six feet changes …
See: The lyric video for the tumbling odd-folk of Yves Jarvis’ ‘Body Of Work’
YVES JARVIS is the artist and autodidact Jean-Sébastien Audet who, in a pseudo-Bill Callahanesque move, came out from behind his Un Blonde facemask after 2016’s excellent Good Will Come To You (according to his personal colour palette, it was bathed in yellow, for optimism), reborn with a new name. Over here at Backseat Mafia we adored his …
Track: Madi Diaz – Man in Me
Nashville-based singer-songwriter Madi Diaz has just been signed to ANTI- and is straight out of the blocks with her first single – ‘Man in Me’, co-produced with Andrew Sarlo (Courtney Marie Andrews, Big Thief, Bon Iver) and if this is the shape of things to come then we are definitely going to be hearing a …
SEE: M. Ward drops a video for ‘Violets And Furs’ from his Billie Holiday covers set
PORTLAND’S muchly the finest, M. Ward, has just released a video for the bloody beautiful “Violets For Your Furs”, his whisper-swoonsome take on a Billie Holiday song from his recent full album of covers of the great Lady Day, Think Of Spring. “Violets For Your Furs” is a strumalong sway, taking the original to the fireside, simplicity …
SEE: The video for Ben Harper’s ‘Black Beauty’: a proud, gospel soul rush
“IT WAS an honor to have been asked to write a song for this culturally vital documentary,” says singer-songwriting legend Ben Harper of “Black Beauty”, the song he’s dropped the video for today. “After watching Black Boys and discussing it in-depth with [director] Sonia Lowman, I went immediately to work on composing ‘Black Beauty.’ “I’m old-school …
SEE: Danny Elfman – ‘Sorry’: high, scouring prog-industrial from soundtrack giant
IT WAS quite a thing when ANTI- secured the signature of globe-straddling modern soundtrack composer extraordinaire Danny Elfman last year; yep, the Sunset Boulevard-based label which brings us Andy Shauf, Yves Jarvis, M. Ward, Jolie Holland, Fleet Foxes et al, teaming up with the man behind the theme from The Simpsons and soundtracks to such …
ALBUM REVIEW: M. Ward – ‘Think Of You’: Portland guitar wonder seduces with Billie Holiday set
M. Ward’s pulled off quite a neat trick here. Think Of You has many of the appurtenances of a seasonal album without quite being one. It could be M. Ward’s best album in a good while, proving that all he really needs is some retro recording equipment and a guitar to be at his very best