The Replacements
Not Forgotten: The Replacements – Hootenanny
Even this early in their career The Replacements seemed determined to represent the everyman and be utterly relatable to their audience, who by and large were kids from the suburbs just like they had been just a few short years before. While The Replacements’ 1981 debut, the gloriously sloppy Sorry Ma, Forgot to Take Out …
Not Forgotten: The Replacements – Sorry Ma, Forgot to Take Out the Trash
The Replacements, scruffy quartet that they were, may very well be the definitive American rock and roll band. From the garages of the suburbs of Minneapolis, possessing a youthful energy rather than any technical proficiency, and a collective ambition which seemingly stretched no further than avoiding the dead-end jobs that the majority of their classmates …
Not Forgotten: Paul Westerberg – 14 Songs
The former The Replacements frontman Paul Westerberg had been the main creative force behind his former band for the last few years of their career, so in the early 90s, him transitioning to a solo career on the same record label was a natural move for him. Not that he leapt straight into recording his …
Not Forgotten: The Replacements – Pleased to Meet Me
With the departure of Bob Stinson from the band The Replacements slimmed down to a trio for Pleased to Meet Me and continued their journey from barely coherent punks to professional rock and roll band. To their credit they didn’t hide from this fact either, even making direct reference to it in the title and …
Live Review: Justin Townes Earle – Brudenell Social Club, Leeds. 03.02.2015
Sobriety clearly agrees with Mr Townes Earle as he takes a full house on a relaxed tour through his career highlights with some unexpected detours along the way. The highly intelligent Townes Earle has been refreshingly open about his struggles with serious substance abuse, and in the past it has led to gigs resembling a …
Not Forgotten – The Replacements – Let It Be
After a clutch of scruffy punkish releases, Let It Be was where The Replacements started to indicate that they were slowly starting to mature, starting to blend more considered material like “Unsatisfied” with the likes of “Gary’s Got a Boner”. Where once there was sloppiness and youthful exuberance, here there is self reflection and youthful …