Posts in tag

experimental


Album review: Matchess’s ‘Sonescent’: an irresistible flow of experimental, meditative drone recollection and conscious absence

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Album review: Cluster – ‘Cluster 71’: the German electronica scene on the cusp of breaking through, lovingly reissued

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Album review: Jim Wallis & Nick Goss – ‘Pool’: immersive, ocean-going, pastoral ambience

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LA based, Argentinian QOA (aka. Nina Corti) is a digital sound artist and illustrator whose practice is centred on listening and tuning in. That doesn’t mean QOA’s attention is solely drawn to other conventional tunes or conversations but instead they seek out the auditory stimuli of the non-human world, plants and animals, streams and undergrowth, …

Music and poetry, poetry and music, the Montreal convened collective FYEAR show how potent this combination can be on this self-titled debut, out now via Constellation. Led by poet/novelist Kaie Kellough and composer/saxophonist Jason Sharp, FYEAR the ensemble has been evolving through a project-based approach for several years now culminating with the ambitious, multi-movement composition …

“Rationalizing our place amongst the Stars is a referendum. A mandate in the scale of a space-time continuum, which is a task that might seem infinitely cavernous to most, but a lifelong mandate to others. As nature’s allowance of time just isn’t favorable to an average human lifespan of a 100 years, this task must …

It’s been a challenge to keep up with the unravelling of singer songwriter Nino Gvilia’s recorded output over the last few months but now we’ve arrived at some sort of finale. Her exquisite ‘Nicole/ Overwhelmed by the Unexplained’ double EP is at last fully available in both digital and vinyl forms via the ever-resourceful Hive …

Well the line-up that Birmingham’s mighty Supersonic Festival assembled last year for its 20th anniversary was awe inspiring and then came this announcement for 2024. Yes the bill is a slayer, a statement of intent to celebrate the vitality of underground music, a wish list that any leftfield listener would find hard to imagine. But …

For seminal Portland doom metal duo The Body, co-working with other musicians has long been part of their modus, ensuring their music never stands still. Alongside the influential releases carrying ‘The Body’ nameplate, Chip King (guitars etc) and Lee Buford (drums etc) have unleashed around fifteen collaborative albums since 2011. Recently these efforts have diverged …

For their February releases the ever – probing Katuktu Collective label have delivered two impactful albums from the new age of new age. ‘Svartor’ by Rune Clausen and Bobby Jewell’s ‘Wind & Water’ present intensely contemplative sounds less concerned with self-improvement, or finding the inner calm and more at looking beyond the ‘me’. Both albums …

Avid Backseat Mafia explorers might remember this name (although it’s hard to forget) Be Kind Cadaver and their attention seizing EP from last July ‘Post Partum’ (re-check the review HERE ). A set that pulsated to an angsty industrial soundtrack with shoegaze shards and a leaning towards the cathartic chorus, these were songs that didn’t …

There are ‘drummers’ and there are ‘more than drummers’. ‘Drummers’ play the drums very well as they move from gig to gig, band to band, session to session. ‘More than drummers’ can also do this but they naturally do the ‘more’. Composing, producing, band leading, improvising, collaborating and beyond, think Charles Hayward or Jim White …

So the presser says “FYEAR interrogates our present and future post-capitalist polycrisis“. Any creative project aiming to probe into that vortex would require scale, focus, finesse and integrity, which are exactly the qualities that this Montreal convened collective possess. Led by composer/ saxophonist Jason Sharp and poet/novelist Kaie Kellough, FYEAR have been sculpting their resonant …