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DVD Reviews: Anne and Muriel & A Gorgeous Girl Like Me

  • September 11, 2014
  • Rob Aldam
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Whilst many of Truffaut’s works are well-known, others have faded from memory over the passing of time. Artificial Eye, starting with his first film 400 Blows, are releasing a whole raft of the French director’s work on Blu-ray in the UK for the first time. Anne and Muriel and A Gorgeous Kid Like Me are two very different films in many ways. Nevertheless, there are many familiarities.

A Gorgeous Girl Like Me

Preparing his sociological thesis, Stanislas (André Dussollier) visits prison to interview Camille (Bernadette Lafont), an infamous murderer. As she recounts the story of her life and love affairs, he quickly falls under her spell. She protests her innocence. He’s taken in by her manipulation and sets-about trying to prove her innocence.

A Gorgeous Girl Like Me is in many ways a departure for Truffaut. With echoes of Tati, the humour often verges on the slapstick side. It’s one of his weaker films in all honesty, but given his great skill and brilliance as a filmmaker, it’s still an entertaining comedy containing moments of pure genius.

Anne and Muriel

Claude, a young Parisian (Jean-Pierre Léaud), is introduced to a young Englishwoman called Anne (Kika Markham) by his overbearing mother. The pair quickly strike up a friendship and he’s invited to stay with her family in Wales. There he meets her sisters Muriel (Stacey Tendeter) and Ann plays matchmaker. When Claude falls in love with Muriel their mothers decide they should have a one year separation. If, after that they still want to wed, then so be it.

Ann and Muriel brings to mind the wonderful Jules et Jim. Shot in the same narrative style, the doomed love triangle bears many similarities to the masterpiece. Whilst it’s not quite on a par, it’s a beautiful film with an equally tragic ending.

A Gorgeous Girl Like Me and Anne and Muriel are released on Blu-ray and DVD by Artificial Eye on September 15.

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Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

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