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Mieliepop Festival

Live Review & Gallery: Mieliepop – A Multiverse Of Sound And Movement

  • Bodene Mckibbin
  • March 21, 2026
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Album Review: Matthew Sigley’s The Daytime Frequency releases ‘Colorgravure’: a glittering and euphoric sonic journey.

  • Arun Kendall
  • March 21, 2026
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Electric Six

Live Gallery: It’s The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026

  • Deb Pelser
  • March 21, 2026
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News: Darcy Thomas Shares New Single ‘To Blame’

  • Simon Lucas-Hughes
  • March 20, 2026
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News: Tan Sholto Stuns On Intimate New EP ‘Christine’

  • Simon Lucas-Hughes
  • March 20, 2026
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News: Iglu & Hartly Shine On New Single ‘Supreme’

  • Simon Lucas-Hughes
  • March 20, 2026
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EP Review: Kat Davids – Winterswell

  • Adrian Barr
  • March 20, 2026
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Album Review: New Age Doom & H.R.– ‘Angels Against Angels’: Metal experimentalists meet Bad Brains legend and shape one massive rock/dub prophesy.

  • John Parry
  • March 20, 2026
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Album Review: Fabels create a mystical sonic storm in their new album ‘Ophera’.

  • Arun Kendall
  • March 20, 2026
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Track: ‘Roadtrip Season’ Finds Indie Dog Between Lament and Release

  • Deb Pelser
  • March 20, 2026
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NEWS
Mieliepop Festival

Live Review & Gallery: Mieliepop – A Multiverse Of Sound And Movement

  • Bodene Mckibbin
  • March 21, 2026
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Album Review: Matthew Sigley’s The Daytime Frequency releases ‘Colorgravure’: a glittering and euphoric sonic journey.

  • Arun Kendall
  • March 21, 2026
Electric Six

Live Gallery: It’s The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026

  • Deb Pelser
  • March 21, 2026

News: Darcy Thomas Shares New Single ‘To Blame’

  • Simon Lucas-Hughes
  • March 20, 2026

News: Tan Sholto Stuns On Intimate New EP ‘Christine’

  • Simon Lucas-Hughes
  • March 20, 2026
Premieres / Exclusives
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Premiere: ‘Melt’ – Townsville-based Poison Oak exclusively unveil their soaring single ahead of launch date.

  • Arun Kendall
  • March 4, 2026
We are very honoured to bring you an exclusive early listen to the radiant new single ‘Melt’ from Townsville-based band Poison Oak. ‘Melt’ is a shimmering indie pop…
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Grace Turbo
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Premiere: Grace Turbo Questions Time and Heartbreak on New Single ‘Linear’

  • Deb Pelser
  • March 4, 2026
Sydney alt-pop artist Grace Turbo has released ‘Linear’, a dark synth-driven single from her forthcoming album Yes, And. Built around pulsing electronics and exposed vocals, the track…
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Premiere: BB Sabina exclusively unveil haunting, shimmering new single ‘In between’ ahead of launch date.

  • Arun Kendall
  • February 25, 2026
Naarm/Melbourne shoegaze band BB Sabina came onto our radar last year with their single ‘Multitude’ (see our review here) and we are very honored to bring you an exclusive listen…
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Premiere: ‘Ready For It’ – after 28 years, The Remotes exclusively unveil their dreamy, evocative new single.

  • Arun Kendall
  • February 24, 2026
Some things age like a fine wine. Originally a duo comprised of Ollie Browne (Art of Fighting/The Hoodangers) and Kristian Brenchley (S:Bahn, Degreaser), The Remotes released their debut…
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Premiere: After a lifetime away, psychedelic pop icons The Crystal Set exclusively reveal their stunning new single ‘Critical Mass!’.

  • Arun Kendall
  • February 24, 2026
The light that burns twice as bright burns half as long – one of my favourite quotes from one of my favourite movies (Blade Runner) – is an apt description for late eighties/early…
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Track / Video
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Track: ‘Roadtrip Season’ Finds Indie Dog Between Lament and Release

  • Deb Pelser
  • March 20, 2026
Indie Dog’s ‘Roadtrip Season’ moves from quiet introspection to full-bodied release, tracing a loose narrative of dislocation, memory and the fragile solace of music.
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Morgan Evans
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News: Morgan Evans Returns to His Roots on New Album Steel Town Announces Australian Tour

  • Deb Pelser
  • March 20, 2026
Morgan Evans’ Steel Town trades scale for intimacy, revisiting his Newcastle roots in a reflective, self-written album that charts a path from fracture to renewal.
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Jenny Beth
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Track: Jehnny Beth and Mike Patton Collide on Fragmented New Single ‘Look At Me’

  • Deb Pelser
  • March 20, 2026
Jehnny Beth’s ‘Look At Me’ pairs with Mike Patton for a fractured, two-part exploration of power, persuasion and the uneasy pull of voices that claim authority.
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Album Reviews
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Album Review: Matthew Sigley’s The Daytime Frequency releases ‘Colorgravure’: a glittering and euphoric sonic journey.

  • Arun Kendall
  • March 21, 2026
Matthew Sigley is constant star in the antipodean indie musical firmament, providing a range of musical talents from bass to keyboards to a number of iconic bands ranging from The Lovetones,…
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Album Review: New Age Doom & H.R.– ‘Angels Against Angels’: Metal experimentalists meet Bad Brains legend and shape one massive rock/dub prophesy.

  • John Parry
  • March 20, 2026
Experimental rock duo New Age Doom, drummer Eric Breitenbach and guitarist Greg Valou, thrive on collaboration and collectivism. Since the early drone metal improv of their debut, their…
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Album Review: Fabels create a mystical sonic storm in their new album ‘Ophera’.

  • Arun Kendall
  • March 20, 2026
The sounds of Fabels have always been wrapped up in a sort mystical pagan fugue, mysterious, raw and, incongruous given the electronic delivery, organic. Fabels are Hiske Weijers from Berlin…
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Album Review: ‘Men Are A Luxury Item’ but The Petrov Affair prove their immeasurable worth with their debut album.

  • Arun Kendall
  • March 20, 2026
We’ve been closely following the magnificent The Petrov Affair for a few years, enticed by their brand of jingle jangle shimmering pop. It is a great pleasure therefore to listen to…
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Album Review : Huw Marc Bennett – ‘Heol Las’: re-imagining bygone songs through a unique folktronica gaze.

  • John Parry
  • March 19, 2026
Over the last few years producer and multi-instrumentalist Huw Marc Bennett’s solo releases has traced his deepening fascination in the music of his home-land, Wales. In 2020 the ‘Tresilian…
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Album Review: Jesse Hackett – ‘Nocturnes’ : An electro-acoustic tapestry with heart-felt depth.

  • John Parry
  • March 6, 2026
Keyboardist, producer, songwriter, vocalist and sonic explorer, Jesse Hackett is a name you think you’ve seen on some record sleeve before and most likely have. An illusive but prolific genre…
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Interviews
Fokofpolisiekar
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Feature: Fokofpolisiekar Reflect on Swanesang at 20 as Australian & NZ Tour Extends Legacy

  • Bodene Mckibbin
  • March 3, 2026
South African punk band Fokofpolisiekar reflect on Swanesang 20 years on, as Hunter Kennedy discusses identity, rebellion and taking the band's music to audiences in Australia and New Zealand.
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Meet: A.S. Fanning Talks About His New Album ‘Take Me Back To Nowhere’

  • Simon Lucas-Hughes
  • February 4, 2026
On his fourth studio album Take Me Back To Nowhere, A.S. Fanning sounds both unmoored and quietly resolute. Drawing inspiration from science-fiction, experimental sound worlds, and a newly…
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Meet: Lucy Kruger & The Lost Boys Talk Us Through New Single & The Upcoming Album ‘Pale Bloom’

  • Simon Lucas-Hughes
  • January 28, 2026
With a body of work that thrives on tension, restraint, and emotional depth, Lucy Kruger & The Lost Boys have built a reputation for music that lingers long after it’s heard. As they move…
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Meet: John Witherspoon Talks Through The Elegant New Single ‘My Baby’ & Upcoming Album

  • Simon Lucas-Hughes
  • October 10, 2025
Liverpool’s John Witherspoon is back with his most emotionally intricate single yet, ‘My Baby’, releasing September 19th as the final preview of his third studio album, One Of…
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Meet: Ash frontman Tim Wheeler – “If it wasn’t fun and playful, we’d have quit long ago”

  • Jim F
  • September 22, 2025
Ash frontman Tim Wheeler is in reflective but upbeat mood as he talks about the band’s new album To The Stars, their first since 2021. “It’s the shortest gap we’ve had since our first and…
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Feature: Newton Faulkner – New Shapes, Old Joys, and the Art of Playing

  • Huw Williams
  • September 17, 2025
Newton Faulkner tells us about OCTOPUS, experiments and the joy of playing
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Features / Playlists
Fokofpolisiekar
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Feature: Fokofpolisiekar Reflect on Swanesang at 20 as Australian & NZ Tour Extends Legacy

  • Bodene Mckibbin
  • March 3, 2026
South African punk band Fokofpolisiekar reflect on Swanesang 20 years on, as Hunter Kennedy discusses identity, rebellion and taking the band's music to audiences in Australia and New Zealand.
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Meet: We chat to the living legend Robert Forster (The Go-Betweens and solo) about his renewed lease of creativity, the bands and the good old days, ahead of the release of his new album ‘Strawberries’.

  • Arun Kendall
  • May 19, 2025
Ahead of his new album ‘Strawberries’ due for release on 23 May 2025, I had a thoroughly entertaining chat via Zoom with living legend Robert Forster about the past, the present,…
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Feature: effe releases her debut single, the swirling psychedelic ‘Chokehold’, and a list of her ten favourite things ahead of debut launch.

  • Arun Kendall
  • March 26, 2025
effe is formerly one half of Brisbane pop duo WIIGZ and the nom de plume for Naarm/Melbourne based alternative pop artist and producer Hannah Brydon. Her debut single ‘Chokehold’…
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Live review
Mieliepop Festival
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Live Review & Gallery: Mieliepop – A Multiverse Of Sound And Movement

  • Bodene Mckibbin
  • March 21, 2026
Mieliepop unfolds as a kaleidoscopic three-day escape where music, connection and chaos collide, transforming Mpumalanga’s hills into a living, breathing multiverse of sound.
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Electric Six
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Live Gallery: It’s The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026

  • Deb Pelser
  • March 21, 2026
Electric Six transform Manning Bar into a heaving, chaotic dancefloor, delivering a set that feels equal parts absurd theatre and end-of-the-world celebration.
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Lloyd Cole
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Live Gallery: Lloyd Cole Rewires His Legacy At Sydney’s Factory Theatre 19.03.2026

  • Deb Pelser
  • March 19, 2026
Lloyd Cole takes to a packed Factory Theatre in Sydney, delivering an electric solo set that reworks classics from Rattlesnakes through to On Pain with sharp clarity and quiet force.
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Say Psych: Live Review: Louder than War Festival, Manchester – 14.03.2026

  • Le Crowley
  • March 19, 2026
Louder Than War are three words that have become synonymous with excellent music taste, and trusting that taste has seen me heading over to the University of Manchester student union building…
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Live Gallery: ONE OK ROCK at Hordern Pavilion – Eora Land/Sydney, 14.03.26

  • Jess Hutton
  • March 19, 2026
Japanese rock band One Ok Rock formed in Tokyo in 2005, with their name coming from booking rehearsal rooms at the cheapest hour available, one o’clock. Twenty years later, they’re touring the…
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Faithless
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Live Gallery: Sister Bliss Leads Faithless through a powerful night of electronic anthems in Sydney 13.03.2026

  • Deb Pelser
  • March 19, 2026
Faithless return to Australia for the first time in 15 years, delivering a powerful performance at Sydney’s Hordern Pavilion led by Sister Bliss. When the iconic beat of ‘Insomnia’ arrives…
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Film
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News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
Glide were a seminal Sydney band that burned brightly and all together too briefly in the nineties, beset by tragedy when their singer and songwriter William Arthur died at the end of that…
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Film Review: January

  • Rob Aldam
  • January 24, 2023
Winter can be a magical time of year and there’s nothing more atmospheric than a sprinkling of snow. In many places, that light covering becomes something different entirely. In Eastern…
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Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
As we approach the first anniversary of the full Russian invasion of Ukraine, it’s easy to forget that this war didn’t start in 2022. Indeed, the (recent) troubles with Russia can be traced…
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Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
Cinema reflects the age, society and country it’s made in. For example, 1950s Hollywood portrayed romance as straightforward love between a man and a woman. They meet, get to know each other…
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Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
Trauma is a terrible thing. It’s not something you can outrun or escape from. It doesn’t matter how many years you bottle it up inside, it will suddenly resurface when you least expect it. You…
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Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
The line between good and evil has always been a little blurred in Mexico. Whilst American cinema likes to have a clear delineation between its heroes and villains, the reality is often much…
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  • Mieliepop Festival
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    Live Review & Gallery: Mieliepop – A Multiverse Of Sound And Movement

    • Bodene Mckibbin
    • March 21, 2026
    View Post
    • Album Reviews
    • Backseat Downunder
    • Music
    • News

    Album Review: Matthew Sigley’s The Daytime Frequency releases ‘Colorgravure’: a glittering and euphoric sonic journey.

    • Arun Kendall
    • March 21, 2026
    View Post
  • Electric Six
    • Backseat Downunder
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    Live Gallery: It’s The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026

    • Deb Pelser
    • March 21, 2026
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Trending Posts
  • Mieliepop Festival 1

    Live Review & Gallery: Mieliepop – A Multiverse Of Sound And Movement

    • March 21, 2026
  • 2

    Album Review: Matthew Sigley’s The Daytime Frequency releases ‘Colorgravure’: a glittering and euphoric sonic journey.

    • March 21, 2026
  • Electric Six 3

    Live Gallery: It’s The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026

    • March 21, 2026
  • 4

    News: Darcy Thomas Shares New Single ‘To Blame’

    • March 20, 2026
  • 5

    News: Tan Sholto Stuns On Intimate New EP ‘Christine’

    • March 20, 2026

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