EP REVIEW: Quiet Marauder – ‘Tiny Men Parts’: a critique of the male condition in bounce-along indiepop Chris Sawle, December 2, 2020
ALBUM REVIEW: Dark Sparkler – ‘Are You With Me Or Against Me?’: fine modular retrotronica Chris Sawle, December 2, 2020
Rising: We meet Spang Sisters; see the vid for the post-modern soul of ‘Eddie Murphy’ Jim F, December 2, 2020
EP REVIEW: Quiet Marauder – ‘Tiny Men Parts’: a critique of the male condition in bounce-along indiepop Chris Sawle, December 2, 2020
ALBUM REVIEW: Dark Sparkler – ‘Are You With Me Or Against Me?’: fine modular retrotronica Chris Sawle, December 2, 2020
Soundtrack of Our Lives: Eilish Gilligan takes us through her fascinating musical influences, plus we review her epic EP ‘Hospital’ Arun Kendall, November 30, 2020
Live Review: Gwilym Simcock, London Jazz Festival – 606 Club live stream 19.11.20 John Parry, December 1, 2020
Live Review: Tenderlonious, London Jazz Festival: Shoreditch Town Hall, November 22nd John Parry, November 28, 2020
Live Review: Binker Golding, London Jazz Festival, King’s Place – 21.11.20 John Parry, November 24, 2020
EP REVIEW: Laura Groves – ‘A Private Road’: pristine and dreamy debut; socially distanced gig announced Chris Sawle, December 2, 2020
NEWS: Corey Hanson announces second solo LP; see the country-psych grace of ‘Paper Fog’ Chris Sawle, December 1, 2020
Soundtrack of Our Lives: Eilish Gilligan takes us through her fascinating musical influences, plus we review her epic EP ‘Hospital’ Arun Kendall, November 30, 2020
NOT FORGOTTEN: The Irresistible Force – ‘It’s Tomorrow Already’: the loud, great finale of British rave-ambient Chris Sawle, August 22, 2020
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