0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Film
  • FIlm Review

Film Review: Wild Tales

  • March 27, 2015
  • Rob Aldam
Wild Tales
Total
0
Shares
0
0
0

Oscar nominees for Best Foreign Language Film tend to be of a very high standard. Two of the best films from last year, Leviathan and Ida, were both in the mix, but the winner turned out to be a Mauritanian film called Timbuktu. Also in contention were Tangerines and the Argentine entrant, Wild Tales. Damián Szifrón’s film is a collection of six short stories built around the theme of actions, consequences and revenge.

In Pasternak, a group of passengers on a plane realise that they’re all connected to one person, Gabriel Pasternak. Unfortunately for them, they’ve all upset him in one way or another and he happens to be the pilot. The Rats focuses on a waitresses revenge whilst The Strongest is a battle of wills between two motorists. Little Bomb features an explosive expert pushed to his limit by bureaucracy whilst The Proposal is about a family trying to cover up their son’s hit and run. The final story is Unto Death Do Us Part, which takes place at a wedding where the bride finds out about her new husband’s infidelity and takes revenge.

Anthology films are prone to be patchy but Damián Szifrón does a superb job of connecting the tales through the theme of revenge. The best story is undoubtedly The Strongest which is a wonderfully acted and well-paced duel between two motorists. The comedy is very dark, and that’s a theme throughout Wild Tales. The other stand-out segment is Unto Death Do Us Part featuring a spellbinding performance from Érica Rivas as the vengeful bride. Each segment holds up on its own, and Wild Tales as a whole is a magnificent ride.

Wild Tales is out in cinemas and on demand on today.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Music
  • Track / Video

See: PVRIS Release Video For ‘White Noise’

  • March 26, 2015
  • Staff Writers
View Post
Next Article
  • Music
  • News

Win Tickets to See Congo Natty / Sherwood & Pinch and more at Koko

  • March 27, 2015
  • Jim F
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
    Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • News: The Pogues confirm Australian tour with new Brisbane show added
    News: The Pogues confirm Australian tour with new Brisbane show added
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d