0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Film
  • Film Festival

IDFA Review: Gunda

  • November 21, 2020
  • Rob Aldam
Total
0
Shares
0
0
0

As human beings we’re programmed to long for companionship. Now, that naturally comes from within our own species, but I’m sure no one really needs a biology lesson. However, unless you live in certain states of America, that is very different to the love and affection pets can give us. Whether that the sloppy and demanding unconditional live of a dog or the more tactical and tactile acceptance offered to us by a feline.

When it comes to the relationship between humans and animals, we tend to place mammals into two separate boxes. One for pet. Those faithful friends and cuddly strokable beasts which become part of the family. The other is for food. Livestock bred solely with the purpose of ending up on our plates. Director Viktor Kosakovskiy wants to change all that. In his new film Gunda the vegetarian trains his camera on one pig, two cows and a one-legged chicken.

Gunda (who is the eponymous sow) is a beautifully realised portrait of a fascinating group of animals. Filmed in sumptuous black and white, we’re afforded a glimpse into their daily lives.  The cinematography is what draws you in but it soon becomes apparent that each animal has their own distinct personality. Gunda soon bewitches you. Makes you forget that these creatures are no different to any other. Before reminding us of the harsh realities of their lives. A wonderful piece of thoughtful and meditative filmmaking.

Gunda screened at IDFA    

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Gunda
  • IDFA
  • Viktor Kosakovskiy
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Music
  • Track / Video

TRACK: Psymon Spine – ‘Confusion’: glimmering psych-disco heralds February album

  • November 21, 2020
  • Chris Sawle
View Post
Next Article
  • Music
  • Track / Video

SEE: llawgne – ‘Reverie Neverending’: welcome the Gothenburg ‘gaze

  • November 21, 2020
  • Chris Sawle
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
    Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • News: The Pogues confirm Australian tour with new Brisbane show added
    News: The Pogues confirm Australian tour with new Brisbane show added
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d