0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Film
  • Film Festival

LFF Review: Evelyn

  • October 5, 2018
  • Rob Aldam
Total
0
Shares
0
0
0

800,000 people take their own lives every year around the world. In the UK, over 5,000 suicides were registered in 2017. Whilst there have been great steps forward in publicly addressing issues around mental health, suicide and depression, they are still subjects which aren’t generally openly discussed and remain stigmatised. Even between friends and family. The dead can cast a lasting shadow over those they leave behind. Often in the form of guilt.

Thirteen years ago, Orlando von Einsiede lost his brother Evelyn to suicide. Whilst the British film-maker, best known for Virunga and the Oscar-winning White Helmets, has spent his career documenting the suffering of others, he’s less adept at focusing on himself. As a family, they’ve found it difficult to discuss the loss. As have Evelyn’s friends. In an attempt to confront his grief, Orlando sets off with his brother, sister and other family and friends on a hiking exhibition across the UK. Following in Evelyn’s footsteps.

Evelyn is an extremely moving and exceedingly personal portrait of a family trying to face-up to their loss. Most of us will know someone who has committed suicide. It’s a really difficult subject to talk about, let alone face head-on. It’s an intimate glimpse into how grief and loss can affect different people in different ways. How it’s something we need to come to terms with ourselves. Evelyn is an extremely cathartic experience which allows us to experience the healing process vicariously through a close-knit group of family and friends.

Evelyn screens at London Film Festival.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • BFI
  • Evelyn
  • LFF
  • LFF2018
  • London Film Festival
  • Orlando von Einsiede
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • DVD/Blu-Ray Review
  • Film

DVD Review: The Monster

  • October 5, 2018
  • Rob Aldam
View Post
Next Article
  • Film
  • Film Preview

Incoming: Blindspotting

  • October 5, 2018
  • Rob Aldam
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
    Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • News: The Pogues confirm Australian tour with new Brisbane show added
    News: The Pogues confirm Australian tour with new Brisbane show added
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d