0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Film
  • Film Festival
  • FIlm Review

LFF Review: Zombi Child

  • October 6, 2019
  • Rob Aldam
Total
1
Shares
0
0
1

Whilst the debate around streaming versus cinema shows no sign of abating anytime soon, it’s clear that the likes of Netflix have the advantage of numbers. The ability to reach a wide audience is one of the major perks for directors choosing this platform. Bertrand Bonello’s 2016 film Nocturama was bought by the streaming giant and became a huge critical and popular success. His new film Zombi Child, which is being released via MUBI this time around, delves deeper into social issues.

Rescued from the dead, Clairvius (Mackenson Bijou) is forced to labour on a sugar plantation without a mind of his own. Fast forward from 1960s Haiti to modern day Paris where Mélissa (Wislanda Louimat) is the new girl at a liberal boarding school. The Haitian refugee soon befriends Fanny (Louise Labeque), a dreamer, who introduces her into a secret literary sorority.

Zombi Child is a provocative and challenging film which mixes themes of colonialism, privilege and prejudice to create a genre-bending drama. Bonello approaches difficult themes from a multitude of angles, almost challenging the audience to keep up. It’s not easy at times but patience is rewarded with a fresh and vibrant spin on post-colonial relationships. Zombi Child mixes past and present to create and inter-generational supernatural social oddity.  

Zombi Child screens again at London Film Festival on 7 & 10 October.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
1
Shares
Share 0
Tweet 0
Pin it 1
Related Topics
  • Bertrand Bonello
  • LFF
  • London Film Festival
  • Louise Labeque
  • Mackenson Bijou
  • MUBI
  • Wislanda Louimat
  • Zombi Child
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Film
  • Film Festival
  • FIlm Review

LFF Review: My Extraordinary Summer with Tess

  • October 6, 2019
  • Rob Aldam
View Post
Next Article
  • Album Reviews
  • Music

Album Review: Nick Cave & the Bad Seeds – Ghosteen

  • October 7, 2019
  • Arun Kendall
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
    Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
  • News: The Pogues confirm Australian tour with new Brisbane show added
    News: The Pogues confirm Australian tour with new Brisbane show added
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • Track: Future Islands mark 20 years with From a Hole in the Floor to a Fountain of Youth
    Track: Future Islands mark 20 years with From a Hole in the Floor to a Fountain of Youth
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d