0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Music
  • News

Obituary: Carey Lander – Paradoxically Modest and Truly Brilliant (1982 -2015)

  • November 1, 2015
  • Staff Writers
Carey Lander, front right
Total
0
Shares
0
0
0

Some musicians surprise fans by not knowing how to deal with appreciation and disarm reviewers by willing to absorb criticism of their music. Carey Lander, the keyboard player with Glaswegian indie pop band Camera Obscura from 2001 until her death in October 2015, did both. Erudite and demure offstage but ironically confident in projecting her style, musical skill, creativity and charisma in public, Lander had become a key contributor to the band’s success over the last 17 years.

Originally from Maidstone in Kent, at the age of 18 Lander moves to Glasgow, one of Scotland’s bubbling musical creativity hubs, and gravitates towards Camera Obscura in early 2000s. Using its subtly energetic guitar sound with a solid keyboard undercurrent, the band electrifies fans by releasing its iconic song “80s Fan” in 2001. Having become friends with the band, Lander appears in the video for “80s Fan” later joining the band as a keyboard player.

As Britain’s legendary music presenter John Peel invites Camera Obscura to record a session in 2004, Lander makes her mark as the band’s sonic anchor. Her versatile fingers provide the gentle but vital electronic backdrop for “Ae Fond Kiss” and “I Love my Jean”, the band’s powerful musical interpretation of 18th century Scottish bard Robert Burns’ poems.

In 2009 Camera Obscura releases internationally acclaimed track “French Navy” that is used in television advertising, and reaches the top 40 in Britain, Ireland, and the top 100 in the USA. The song displays Lander’s impressive keyboard dexterity and her confident on-stage personality. The track’s video shows her auburn hair and her brightly coloured nails that intelligently glide along her instrument while sharply contrasting her retro-styled dress.

Offstage she modestly praises the band’s fans for their enthusiasm, and is grateful to them as well as reviewers for critiquing the band’s output. She is thankful to her school music teacher for being patient with her. Despite her charismatic stage presence, Lander credits him with her success while admitting her frequent difficulty in finding musical confidence.

Paradoxically, while acknowledging her helplessness at the fear of death, Lander fights her best after being diagnosed with osteosarcoma, a rare form of bone cancer, in 2011. The JustGiving page that she sets up asking the public to donate to cancer research charity Sarcoma UK, exceeds its target with over £60,000 in donations. While managing to help the band record its most recent album “Desire Lines”, she cancels all work commitments as her condition deteriorates by October 2015.

Carey Lander’s musical dexterity enabled her to help Camera Obscura find its now world-famous subtly confluent and softly energetic sonic brand. This allowed the band to effectively contrast the late 1990s aggressive guitar sound and the experimental electronic bands of the early 2000s. Playing in Camera Obscura inadvertently enabled Lander to show her many-sided personality that embodies life itself. She leaves a valuable and inspirational legacy to many in the music industry and beyond.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Camera Obscura
  • Glasgow
  • Indie
  • indie news
  • Indie pop
Staff Writers

Previous Article
  • Music
  • Track / Video

Track: Bring me the Horizon – True Friends

  • November 1, 2015
  • Jim F
View Post
Next Article
  • Music
  • News

See: Joe Jackson reveals Spring 2016 European tour dates

  • November 2, 2015
  • Jim F
View Post
You May Also Like
View Post
  • News

News: Sam Foster Smith returns with cinematic indie anthem ‘Go With The Flow’

  • Simon Lucas-Hughes
  • March 27, 2026
View Post
  • News

News: Ellen Benediktson Returns with Maximalist Electro-Pop Single ‘WID4L’

  • Simon Lucas-Hughes
  • March 27, 2026
Michael Cavanagh
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: CAVS expands his sonic palette on new single ‘First Light’

  • Deb Pelser
  • March 27, 2026
Liliana de la Rosa
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Liliana de la Rosa expands her cinematic world on ‘High Like Heaven’

  • Deb Pelser
  • March 27, 2026
Bachelor Girl
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Bachelor Girl rework ‘Treat Me Good’ with Jessica Mauboy

  • Deb Pelser
  • March 27, 2026
View Post
  • Music

News: Dark Mofo Festival unveils the eclectic 2026 musical lineup as well as the usual spectacular arts and performance events

  • Arun Kendall
  • March 27, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: Big League unveil the anthemic swagger of ‘Windanswagger’ ahead of Australian/New Zealand tour

  • Arun Kendall
  • March 27, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: The Night Packers’ ‘Invisible Ink’ shines with a pop sensibility and a wry humour.

  • Arun Kendall
  • March 26, 2026
TKAY
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tkay Maidza returns with explosive new single ‘Must Be’

  • Deb Pelser
  • March 26, 2026
View Post
  • News

News: Jason Bembry Doubles Down On Elusive Indie-Pop With New Single ‘My Friends’

  • Simon Lucas-Hughes
  • March 26, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
    EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d