0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Film
  • Film Festival

Sheffield Doc/Fest Review: Film About A Father Who

  • June 17, 2020
  • Rob Aldam
Total
0
Shares
0
0
0

Whilst she might not be a household name to most, Lynne Sachs is well-known within the documentary community. The American experimental filmmaker has been working within the industry for the last thirty years, much of her work involves collaboration and a melding of different mediums. Sachs has been chosen to be subject of a retrospective at Sheffield Doc/Fest this year.  They’re also streaming her latest film, Film About A Father Who.

Lynne Sachs didn’t exactly have a conventional childhood or one that wasn’t without bumps, much of which could probably be attributed to her father. Over a period of thirty-five years, between 1984-2019, She filmed him and the people in his life. Ira Sachs was a hippie businessman from Park City who didn’t like to take things too seriously. Through this footage we’re shown a man of contradictions. One who means something different to each person he has a relationship with.

Film About A Father Who builds up a fragmented picture of a complex individual. As Sachs creates an intricate tapestry of her father through her lens, we’re introduced to a man of many contradictions. Memory and reality merge, affording the viewer an insight into her familial frameworks and growing up with a partly absent father. It’s a fascinating journey to experience someone else’s life from the viewpoint of those around them. Not that Ira Sachs is a man to give anything away lightly.  

Film About A Father Who streams as part of Sheffield Doc/Fest in the autumn.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Film About A Father Who
  • Lynne Sachs
  • Sheffield Doc/Fest
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Music
  • News

NEWS: Shop Assistants’ singer reported to have died

  • June 17, 2020
  • Chris Sawle
View Post
Next Article
  • Music

ALBUM REVIEW: Braids soar on ‘Shadow Offering’

  • June 17, 2020
  • Chris Sawle
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022
View Post
  • Film
  • FIlm Review

Film Review: Jurassic Punk

  • Rob Aldam
  • December 13, 2022
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Adrift in Tokyo

  • Rob Aldam
  • December 12, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
    EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d