0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Julia Cumming captures the fragility of memory on ‘Please Let Me Remember This’

  • March 26, 2026
  • Deb Pelser
Julia Cumming
Photo Credit: Marcus Maddox
Total
0
Shares
0
0
0

There’s a fragile kind of clarity running through ‘Please Let Me Remember This’, the new solo offering from Julia Cumming. Built around trembling piano and gauzy, slow-drifting guitars, the track moves with a quiet, deliberate patience. Nothing rushes. Nothing resolves too quickly. Instead, it lingers in that uneasy space between memory and feeling, where the smallest details carry the most weight. Cumming’s voice sits at the centre of it all, crystalline but searching, as if trying to pin something down that keeps slipping just out of reach.

Lyrically, the song circles a disarming idea: that pain has a longer shelf life than joy. It’s a simple premise, but one that unfolds here with a kind of emotional precision, shaped through fleeting, almost mundane moments rather than grand gestures.

What’s striking is the sense of surrender embedded in the track. ‘Please Let Me Remember This’ doesn’t try to control memory so much as it observes its unpredictability, the way certain moments linger uninvited while others fade without warning. That tension gives the song its quiet urgency, a feeling that something important is being grasped for, even as it dissolves.

Following the understated confidence of ‘My Life’, this second release deepens the picture of Cumming as a solo artist. There’s less emphasis on declaration here, more on atmosphere, on restraint. It’s a shift inward, but one that expands the emotional scope rather than narrowing it.

If anything, ‘Please Let Me Remember This’ feels like a study in impermanence, a soft-lit meditation on what stays with us and what doesn’t. Not a song that demands attention, but one that rewards it, slowly revealing itself in the spaces between notes.

Stream HERE.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • backseat downunder
  • Indie
  • Julia Cumming
  • news
  • pop
  • track
Deb Pelser

Lover of live music. Writes, Shoots and Leaves.

Previous Article
Escape the Fate
  • Backseat Downunder
  • Music
  • News

News: Escape The Fate return to Australia with The Word Alive for June tour

  • March 26, 2026
  • Deb Pelser
View Post
Next Article
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: ‘Mother Please Forgive Me’ – Electro goth maestros Caligula reign supreme with their new emotional anthem.

  • March 26, 2026
  • Arun Kendall
View Post
You May Also Like
The Datsuns
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Avalanche and The Datsuns crash headfirst into Sydney’s Crowbar with high-octane sets 27.03.2026

  • Deb Pelser
  • March 27, 2026
View Post
  • News

News: Sam Foster Smith returns with cinematic indie anthem ‘Go With The Flow’

  • Simon Lucas-Hughes
  • March 27, 2026
View Post
  • News

News: Ellen Benediktson Returns with Maximalist Electro-Pop Single ‘WID4L’

  • Simon Lucas-Hughes
  • March 27, 2026
View Post
  • Track / Video

Track: Wakefield’s Oliver Pinder Unleashes ‘Such An Angel’

  • Simon Lucas-Hughes
  • March 27, 2026
Michael Cavanagh
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: CAVS expands his sonic palette on new single ‘First Light’

  • Deb Pelser
  • March 27, 2026
Liliana de la Rosa
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Liliana de la Rosa expands her cinematic world on ‘High Like Heaven’

  • Deb Pelser
  • March 27, 2026
Bachelor Girl
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Bachelor Girl rework ‘Treat Me Good’ with Jessica Mauboy

  • Deb Pelser
  • March 27, 2026
View Post
  • Music

News: Dark Mofo Festival unveils the eclectic 2026 musical lineup as well as the usual spectacular arts and performance events

  • Arun Kendall
  • March 27, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: Big League unveil the anthemic swagger of ‘Windanswagger’ ahead of Australian/New Zealand tour

  • Arun Kendall
  • March 27, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: The Night Packers’ ‘Invisible Ink’ shines with a pop sensibility and a wry humour.

  • Arun Kendall
  • March 26, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
    EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
  • Live Gallery: Avalanche and The Datsuns crash headfirst into Sydney's Crowbar with high-octane sets 27.03.2026
    Live Gallery: Avalanche and The Datsuns crash headfirst into Sydney's Crowbar with high-octane sets 27.03.2026
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

 

Loading Comments...
 

    %d