0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Film
  • Film Festival

WIFF Review: Rock. Paper. Grenade

  • October 25, 2022
  • Rob Aldam
Total
0
Shares
0
0
0

Following the collapse of the USSR, Ukraine regained its independence in 1991. While it was seen as a fresh new beginning, declaring itself politically neutral, as with many of the former Soviet states it struggled to adapt to capitalism. The transition to a market economy has been a bumpy one and, even before Putin’s invasion began in 2014, it was one of the poorest countries in Europe. Rock. Paper. Grenade tells the story of one boy’s journey into adulthood.

Tymophiy (Andriy Cherednyk) lives in a provincial town with his mother Olga (Anastasiya Karpenko), while his father (Andrey Isaenko) is largely absent. His life takes a turn when his grandmother (Halyna Veretelnyk-Stephanova) moves in with her partner, Felix (Yuriy Izdryk). A veteran from Afghanistan and an alcoholic, the boy sees him as the role model he really doesn’t have. Their relationship evolves and changes as he enters his teens (Vladyslav Baliuk).

Rock. Paper. Grenade is an impressive coming-of-age story where the character of Tymophiy grows along with his country. Indeed, it’s this symmetry which is most striking. Based on an autobiographical novel written by her husband Artem Chekh, Iryna Tsilyk’s (The Earth Is Blue As an Orange) debut narrative feature is superbly done. There are a number of impressive performances, but it’s the way she captures the moment which really stays with you. Charting the history of post-Soviet Ukraine through the eyes of ordinary citizens.  

Rock. Paper. Grenade screened at Warsaw International Film Festival.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Anastasiya Karpenko
  • Andrey Isaenko
  • Andriy Cherednyk
  • Halyna Veretelnyk-Stephanova
  • Iryna Tsilyk
  • Rock. Paper. Grenade
  • Vladyslav Baliuk
  • Warsaw International Film Festival
  • Yuriy Izdryk
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Film
  • FIlm Review

Film Review: Doctor Who Am I

  • October 25, 2022
  • Rob Aldam
View Post
Next Article
Laura Jean
  • Backseat Downunder
  • Music
  • News

News: Laura Jean To Release New Album & Announces Tour

  • October 25, 2022
  • Deb Pelser
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
  • EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
    EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d