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Gallery


Gallery: Lindsey Stirling at Dr. Phillips Center For The Performing Arts, Orlando,02.08.24

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Gallery: Chicano Batman/ Lido Pimienta at Union Transfer, Philadelphia, 13.05.2024

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Gallery: CSS/ Sloppy Jane at The Foundry, Philadelphia, 06.05.2024

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Garbage

Garbage’s sold-out return to the Sydney Opera House is a reminder of the band’s enduring power, as Shirley Manson and company deliver a set that feels both resolute and deeply human in a city grappling with tragedy.

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Doechii

Spilt Milk Canberra powered through the rain with one of its strongest line-ups yet, as Sonic Reducer, smartcasual, Mia Wray, Sophie Edwards, Don West, Rebecca Black, Nessa Barrett, Sofia Isella, sombr, Dominic Fike and Doechii delivered standout sets that proved great music can outlast any weather forecast.

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Mike Hadreas (A.K.A Perfume Genius) will never be a half-measure performer, and it was especially brilliant seeing him perform in the Sydney Opera House Concert Hall this week. The setlist opened with ‘In a Row’, ‘It’s a Mirror’, ‘Left for Tomorrow’. Pretty quickly, the sound was overtaken by the strangest of sights. Hadreas moved like …

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With over 40 years of material to choose from, The Church brought their ‘The Singles Tour: A Career Retrospective‘ tour to the beautiful Princess Theatre, Launceston in a one-off stop for Tasmania. The order of the day was pure paisley psychedelia. 6 men stood upon the stage and unleashed the beauty of plenty of 12-string …

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Bar Italia

At Sydney’s Metro Theatre, bar italia turn the mystique of their early years into something bold and theatrical, delivering a blistering set that proves just how far they’ve evolved since their underground days. Powered by the new album Some Like It Hot, the trio move with confidence, heat and a newfound muscularity—transforming their spectral indie into a force built for big rooms.

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Rebecca Black

At a sold-out Metro Theatre, Rebecca Black sheds the shadows of her past and emerges as a fully realised pop visionary, blending high-camp theatrics, club-driven production and emotional candour into one of her most commanding performances to date.

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There are nights when Leeds seems to thrum with a very specific electricity, when the air itself feels preloaded with expectation, vibrating long before the first note hits. On this night, that hum for many began as they threaded themselves through the industrial outskirts toward Project House—a venue that feels like it was excavated from …

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TOOL

Good Things 2025 arrives in Sydney like a heat-stricken carnival, pushing thousands of fans through a day of blistering sets from Garbage, Refused, Wargasm, Fever 333, Weezer, and Tool. From GWAR’s blood-spray theatrics to Shirley Manson’s searing stage presence and Maynard’s shadow-lurking mystique, the festival turns Olympic Park into a furnace of sound, sweat and defiance.

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