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CPH:DOX Review: The Last Shelter

  • April 27, 2021
  • Rob Aldam
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Hundreds of thousands of Africans make the perilous journey from their hometown toward the promised land of Europe every single year. To a large extent, they follow well-established and frequently trodden paths. These periodically shift due to wars, conflicts and crackdowns. Today, many of these routes follow the same footsteps as the sub-Saharan caravan networks of centuries passed. It remains a treacherous and dangerous trek.

For most of its history, the city of Gao in eastern Mali has been a centre of commerce for trans-Saharan trade. Today it provides a quiet haven for travellers. The House of Migrants can be found here, located at the edge of the desert. It provides a temporary home for thousands of migrants every year, either voyaging onwards in the hope of a better life or returning back to their homelands. The Last Shelter tells their stories.

The Last Shelter observes and listens to this transient population who are taking temporary refuge in this shelter. As we eavesdrop on their hopes and fears, hear their life stories and why they chose to make the perilous journey, an air of melancholy settles over them. Ousmane Samassekou’s documentary focuses on those people who are in limbo, stuck between a past they’re running from and a future they’re not sure they want. The Last Shelter is both oddly depressing and profoundly hopeful.

The Last Shelter screens at CPH:DOX.

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Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

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