0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Film
  • FIlm Review

Film Review: 76 Days

  • January 21, 2021
  • Rob Aldam
Total
0
Shares
0
0
0

Wuhan is a city of 11 million people in the Hubei province of central China. Odds are you probably hadn’t heard of it until late December 2019, when it became the epicentre for global news following the outbreak of a disease which would rapidly morph into a global pandemic. COVID-19 has gone on to take over the narrative of 2020 around the world, but whilst there’s finally light at the end of the tunnel it’s going to take a long time to get back to any kind of normal.

After being initially slow off the mark, the Chinese authorities locked down the city on January 23 2020. This quarantine lasted for 76 days and encompassed over 56 million people within the region. Weixi Chen and Hao Wu’s new documentary takes its name from this period. With the help of a local reporter who decide to remain anonymous, the film is shot in four hospitals located within the city during the outbreak.

76 Days focusses on the relentless work of the emergency services and frontline workers within Wuhan’s hospitals to deal with the pandemic. As time passes, we witness the early confusion soon being replaced by health professionals being stretched to breaking point and finally the slow descent back to normality. Brilliant editing and intelligent decisions make 76 Days a riveting and powerful documentary about the bravery, resoluteness and empathy of medical staff. Highlighting the pressures and challenges of the situation.

76 Days is released on demand by Dogwoof on 22 January.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Dogwoof
  • Hao Wu
  • Weixi Chen
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
Nubiyan Twist
  • Music
  • Track / Video

Track: Nubiyan Twist release new track ‘If I Know’, feat. K.O.G.

  • January 21, 2021
  • Ade Spink
View Post
Next Article
  • Music
  • Track / Video

TRACK: Rutger Hoedemaekers – ‘Not For That Hour, Nor For That Place’: modern composition with electronica glimmer

  • January 21, 2021
  • Chris Sawle
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022
View Post
  • Film
  • FIlm Review

Film Review: Jurassic Punk

  • Rob Aldam
  • December 13, 2022
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Adrift in Tokyo

  • Rob Aldam
  • December 12, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
    EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d