0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Film
  • FIlm Review

Film Review: The Student

  • February 28, 2017
  • Rob Aldam
Total
0
Shares
0
0
0

Since 9/11, the rise of religious fundamentalism has (if you believe the news) been spiralling out of control. Almost all the media attention has fallen on Islamic terrorism, whilst many of the atrocities perpetrated in the Western world are carried out by other forms of radicalisation. Russia is a country with many troubles, exacerbated by dictatorial leadership, corruption, unrest from within and the (growing) lack of separation between church and state. In Kirill Serebrennikov’s new film, The Student, he chooses the classroom as his arena of battle.

To the surprise of his put-upon single mother (Julia Aug), Veniamin (Petr Skvortsov) has become a staunch Christian. The problems begin when he refuses to participate in swimming at school due to the revealing costumes. His zealotry rapidly escalates as he acquires a disciple (Aleksandr Gorchilin) and verbally spars with a young biology teacher (Victoria Isakova) and an orthodox priest (Nikolay Roshchin). The headmistress (Svetlana Bragarnik) accedes to Veniamin’s demands, whilst his actions and protests become increasingly extreme.

The Student is a film bubbling with anger, energy and confrontation. Based on Martyr, a controversial play by Marius von Mayenburg, Serebrennikov unleashes an onslaught and takes no prisoners. This is kinetic film-making at its best and Skvortsov is a hypnotic lead; throwing himself with gusto into the part. The Student is a febrile, often humorous, tirade on modern Russia which pitches unqualified free-speech against a country still lost in transition.

The Student is out in cinemas from Friday.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Aleksandr Gorchilin
  • Kirill Serebrennikov
  • Matchbox Films
  • Petr Skvortsov
  • The Student
  • Victoria Isakova
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Album Reviews

Album Review: Son Volt – Notes Of Blue

  • February 27, 2017
  • J Hubner
View Post
Next Article
  • Film
  • Film Preview

Incoming: Headshot

  • February 28, 2017
  • Rob Aldam
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
    Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
  • News: The Pogues confirm Australian tour with new Brisbane show added
    News: The Pogues confirm Australian tour with new Brisbane show added
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d