0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Film
  • FIlm Review

Film Review: The First Film

  • July 2, 2015
  • Rob Aldam
The First Film
Total
0
Shares
0
0
0

The first moving film was shot by Louis Le Prince in Leeds on 14 October 1888. At least, that’s what writer and broadcaster David Wilkinson believes. In The First Film, he puts forward a strong argument that this is the case. . Traditionally, this accolade is attributed to either Thomas Edison or The Lumière brothers, however there were many people around the world doing pioneering work on photography and film.

Louis Le Prince moved to Leeds in 1866. He took up a position in a firm and eventually settled down and started a family. As an artists he experimented with photography, which led to him patenting a one lens camera which he shot scenes from Leeds bridge and in Roundhay. Only three small segments remain. In 1890 he disappeared after boarding a train between Dijon and Paris, never to be seen again. The mystery surrounding his death adds another layer to the story.

David Wilkinson spent 30 years working on this film and it’s clearly a labour of love. It’s a fascinating subject, but unfortunately all too often he gets waylaid. He seems more driven on proving that the first film was shot in Leeds than ensuring that Le Prince is posthumously recognised for his achievements. Indeed, the first 30 minutes feels like an advert for the Leeds Tourist Board and the talking heads seem to have been chosen simply due to being acquaintances. Having said that, The First Film is an interesting documentary on a fascinating subject, which would greatly benefit from some judicious editing.

The First Film will screen in independent cinemas across the UK. For details of upcoming screenings, check the website.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Album Reviews
  • Music
  • Not Forgotten

Not Forgotten – Aerosmith – Rocks

  • July 2, 2015
  • Jon Bryan
View Post
Next Article
  • Music

Track: Seven Davis Jr – Good Vibes feat. Julio Bashmore

  • July 2, 2015
  • Jim F
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
    Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • News: The Pogues confirm Australian tour with new Brisbane show added
    News: The Pogues confirm Australian tour with new Brisbane show added
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d