0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Gallery
  • Live Review
  • Music

Live Review: Beach House / White Flowers – 02 Academy Brixton, London 26.05.2022

  • May 30, 2022
  • Michael Hundertmark
Michael Hundertmark
Total
0
Shares
0
0
0

It started as a project with 10 Dollars in their pocket and Beach House were formed and created a genre that has been widely imitated. The band played a sold out Brixton Academy with a catalogue of songs and Victoria Legrand’s mesmerising voice.

Beach House are a neo-psychedelic shoegaze band from Baltimore, Maryland in 2004 and their self-titled debut album was released in 2006 and received critical acclaim. Beach House’s epic ‘Once Twice Melody’ is the most recent 18 track release, with a darker and weirder tone, deluging deeper into their universe Tonight’s set is the main focus on these expansive atmospheric tracks! With such a large venue in mind, it would be difficult to keep the audience engaged with less chatter as at times Victoria’s voice is very subtle! 

Tonight’s support stems from ‘White flower, with their dark dreamy pop. They have just related an EP ‘Are you’ in May and consists of songwriting duo Katie Drew and Joey Cobb.

The pair stand on the Darkened stage romanticising with songs about everyday life in a haze of dry ice with a moody swirl of the guitar rhythms, set against Katie’s synth keyboard. The experimentalism of the duo’s soundscapes does fair well with the audience with songs for instance like ‘help me, Help myself’ with its rough guitars and ‘Daylight’ you can get totally lost into with its dreamy melody.

With a short interval, a tightly packed-in audience and the odd punter already being carried away by security as their collapsed in the heat, Beach House come on stage in a haze of green light. Their deluge straight into ‘Once Twice Melody, which is on chapter one of the mammoth four chapter releases in the last months making up the album in its entirety.

The biggest reaction from the crowds comes from ‘Silver Soul’ and ‘Lazuli’ with electrifying guitar chords. Katie really lets loose on the vocals with ‘Pink Funeral’, bathed in shadows and strobing spotlights.

The highlight being ‘Myth, bringing back juxtaposed, late-night festival memories with that twangy baseline and chorus! Overall it was difficult to get the whole experience across in an overcrowded venue with its impressive, moody curation of the visuals. The swirly, sweeping shapes, creepy eyeballs on a large screen, in an outdoor setting being more capitulating under a starry summer’s night and would bring the bouncing synth-pop together as a whole in harmony.

Beach House, 02 Academy Brixton setlist:

Once Twice Melody

Lazuli

Dark Spring

Through Me

Silver Soul

Wildflower

Pink Funeral

Take Care

Superstar

On the Sea

PPP

New Romance

Lemon Glow

Space Song

Myth

Encore:

Over and Over

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • beach house
  • London
  • Psych
  • Psych live review
  • White Flowers
Michael Hundertmark

Previous Article
Crash & the Crapenters
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Crash & the Crapenters at Frankie’s Pizza

  • May 30, 2022
  • Deb Pelser
View Post
Next Article
  • Gallery
  • Live Review
  • Music

Live Review: Teddy Swims / Saibh Skelly – The Academy, Dublin 29.05.2022

  • May 30, 2022
  • Liam Murphy
View Post
You May Also Like
Michael Cavanagh
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: CAVS expands his sonic palette on new single ‘First Light’

  • Deb Pelser
  • March 27, 2026
Liliana de la Rosa
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Liliana de la Rosa expands her cinematic world on ‘High Like Heaven’

  • Deb Pelser
  • March 27, 2026
Bachelor Girl
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Bachelor Girl rework ‘Treat Me Good’ with Jessica Mauboy

  • Deb Pelser
  • March 27, 2026
View Post
  • Music

News: Dark Mofo Festival unveils the eclectic 2026 musical lineup as well as the usual spectacular arts and performance events

  • Arun Kendall
  • March 27, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: Big League unveil the anthemic swagger of ‘Windanswagger’ ahead of Australian/New Zealand tour

  • Arun Kendall
  • March 27, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: The Night Packers’ ‘Invisible Ink’ shines with a pop sensibility and a wry humour.

  • Arun Kendall
  • March 26, 2026
TKAY
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tkay Maidza returns with explosive new single ‘Must Be’

  • Deb Pelser
  • March 26, 2026
Split Enz
View Post
  • Backseat Downunder
  • Music
  • News

News: Split Enz expand their Forever Enz Tour with new Brisbane and New Zealand dates

  • Deb Pelser
  • March 26, 2026
Stahr
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: STAHR interrogate memory and momentum on debut EP BLIP

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News

Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival

  • Deb Pelser
  • March 26, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
    EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

 

Loading Comments...
 

    %d