Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: STAHR interrogate memory and momentum on debut EP BLIP

  • March 26, 2026
  • Deb Pelser
Stahr
Photo Credit: Visual Poets Society
Total
0
Shares
0
0
0

There’s a particular elasticity to memory that STAHR tap into on BLIP, their debut EP that treats emotional upheaval less as permanence and more as distortion. What once felt seismic now flickers in retrospect, reframed, resized, but never entirely diminished.

The Meanjin/Brisbane duo build BLIP around that tension. These are songs born from moments that once dominated the frame, ego surges, fractured relationships, private reckonings, now revisited with a cooler, more deliberate gaze. The result is a record that doesn’t dismiss those experiences so much as it interrogates their scale, asking how something so temporary can feel so total.

Sonically, BLIP leans into a high-gloss, high-impact palette. Crunching guitars, sharp melodic turns and a sense of theatricality run throughout, but there’s also restraint in how those elements are deployed. The glamour is intentional, but never hollow, a surface sheen that amplifies rather than obscures the emotional core.

Opening track ‘Mother Aura’ establishes the tone with immediate clarity. A dense, riff-driven structure gives way to Grace Harris’s vocal, which cuts through with a kind of controlled urgency. It’s an entry point that signals both scale and precision, setting the parameters for what follows.

From there, ‘Loving Friend’ shifts the dynamic. Sam Syrah’s more relaxed vocal delivery introduces a looseness that contrasts with the EP’s sharper edges, while its chorus leans into a kind of understated immediacy. It’s a recalibration rather than a departure, a reminder of the duo’s ability to pivot without losing coherence.

‘Isn’t It Fun’ sharpens things again, folding social commentary into its structure. The track’s focus on digital flirtation feels knowingly observed, its chorus arriving with a force that elevates it beyond its premise. There’s a sense here of STAHR using pop frameworks to interrogate rather than simply reflect.

The EP’s centre of gravity shifts with ‘Be The Light’, a slow-building ballad that begins in near-minimalism before expanding outward. Syrah’s vocal carries the track through its early restraint, before it opens into something more expansive, an anthemic release that feels earned rather than imposed.

Closing track ‘Yours Tonight’ reintroduces the EP’s more abrasive textures, leaning back into guitar-driven intensity. It’s less a resolution than a reassertion, ending the record in motion rather than closure.

Across BLIP, STAHR resist the temptation to overstate their thesis. The EP’s strength lies in its awareness, of time, of perspective, of how easily meaning shifts once distance is introduced. These moments may be fleeting, but here, they’re given space to resonate, loud enough to linger.

Catch STAHR supporting their EP release in Brisbane, the Gold Coast and the Sunshine Coast through April and May. Details below.

‘BLIP’ East Coast Tour

Thurs, April 23 – Mo’s Desert Clubhouse, Gold Coast | Tickets
Fri, April 24 – Mirrorball Ministries, Brisbane | Tickets

Fri, May 1 – The Presynct, Nambour | Tickets 

85 100 0 1
STAHR’s BLIP is a confident debut that reframes intense personal moments through the lens of hindsight, turning what once felt overwhelming into something more measured and reflective. Blending high-energy pop-rock with sharp, observant lyricism, the EP moves between crunching guitars, anthemic choruses and quieter, more introspective passages.
STAHR’s BLIP is a confident debut that reframes intense personal moments through the lens of hindsight, turning what once felt overwhelming into something more measured and reflective. Blending high-energy pop-rock with sharp, observant lyricism, the EP moves between crunching guitars, anthemic choruses and quieter, more introspective passages.
85/100
Backseat Mafia Rating

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • backseat downunder
  • BLIP
  • ep
  • news
  • review
  • rock/metal
  • STAHR
Deb Pelser

Lover of live music. Writes, Shoots and Leaves.

Previous Article
  • Backseat Downunder
  • Music
  • News

Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival

  • March 26, 2026
  • Deb Pelser
View Post
Next Article
Split Enz
  • Backseat Downunder
  • Music
  • News

News: Split Enz expand their Forever Enz Tour with new Brisbane and New Zealand dates

  • March 26, 2026
  • Deb Pelser
View Post
You May Also Like
Good Things Festival 2026
View Post
  • Backseat Downunder
  • Music
  • Music Festival
  • News

News: Good Things Festival unveils another massive lineup for 2026

  • Deb Pelser
  • August 11, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Hana Stretton – ‘tiarn’: An ambient folk moment that needs to be cherished.

  • John Parry
  • August 10, 2026
View Post
  • Gallery
  • Live Review
  • Music

Live Review: Loyle Carner – Kirkstall Abbey. 01.08.26

  • Huw Williams
  • August 10, 2026
Nadia Reid
View Post
  • Backseat Downunder
  • Music
  • News

News: Nadia Reid returns to Australia for Sydney, Melbourne, Adelaide and regional shows

  • Deb Pelser
  • August 10, 2026
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Massive Attack Share Unflinching Warnings to Thousands – Afterpay Arena, Eora Land/Sydney 09.08.26

  • Jess Hutton
  • August 10, 2026
Benjamin Clementine
View Post
  • Backseat Downunder
  • Music
  • News

News: Mercury Prize winner Benjamin Clementine is finally coming to Australia

  • Deb Pelser
  • August 10, 2026
Patrick Watson
View Post
  • Backseat Downunder
  • Music
  • News

News: Patrick Watson returns to Australia after more than 10 years away

  • Deb Pelser
  • August 10, 2026
Talib Kweli
View Post
  • Backseat Downunder
  • Music
  • News

News: Talib Kweli announces Australian headline tour for November 2026

  • Deb Pelser
  • August 10, 2026
Clementine Douglas
View Post
  • Backseat Downunder
  • Music
  • News

News: Clementine Douglas announces first-ever Australian headline tour

  • Deb Pelser
  • August 10, 2026
Chappell Roan
View Post
  • Backseat Downunder
  • Music
  • News

News: Chappell Roan announces two-night LA fundraiser through The Midwest Princess Project

  • Deb Pelser
  • August 9, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Massive Attack Share Unflinching Warnings to Thousands - Afterpay Arena, Eora Land/Sydney 09.08.26
    Live Gallery: Massive Attack Share Unflinching Warnings to Thousands - Afterpay Arena, Eora Land/Sydney 09.08.26
  • News: Good Things Festival unveils another massive lineup for 2026
    News: Good Things Festival unveils another massive lineup for 2026
  • Live Gallery: Gang of Youths Come Home For Their Sydney Opera House Debut 8.08.2026
    Live Gallery: Gang of Youths Come Home For Their Sydney Opera House Debut 8.08.2026
  • Live Review + Photo Galleries:  The Living End at The Odeon Theatre, Hobart 07/08/2026
    Live Review + Photo Galleries: The Living End at The Odeon Theatre, Hobart 07/08/2026
  • LFF Review: Ava
    LFF Review: Ava
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d