0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Gallery
  • Live Review
  • Music

Live Review: Enter Shikari – Mountford Hall, Liverpool 11.12.2021 plus gallery

  • December 13, 2021
  • Hope Small
Total
0
Shares
0
0
0

Tonight, the disco is courtesy of Enter Shikari and there isn’t a person in the room who doesn’t want to be there. Whilst Dinosaur Pile Up & The Nova Twins are getting the crowd ready to for what’s in store, there’s an atmosphere in this student union hall that I haven’t felt in a while; this crowd is ready to rumble. The chant of ‘Enter Shikari’ to the tune of ‘Seven Nation Army’ starts and it sounds as though everyone is joining in. We’re treated to a 10 minute party mix and countdown before Rou Reynolds, Chris Batten, Rob Rolfe & Rory Clewlow and whilst the songs are very different to Shikari’s sound, they are all absolute bangers in their own right and certainly get this audience going.

As this eclectic four piece walk on stage, they act up to their audience and start the night on the first track of their latest album ‘Nothing is True & Everything is Possible’, ‘THE GREAT UNKNOWN’. The album was released back in early 2020 giving everyone plenty of time to get to know and love their new sound as much as they do their cult classics. Whilst there may not be as much crowd surfing or beer throwing as expected, there are plenty of things being thrown around the crowd, probably coats as this is the hottest venue we’ve been in for a long time.

As we reach ‘Satellites’, one of the stand out songs of the night, it’s becoming obvious that Rou has an obscene amount of energy; he is not calming down for love nor money. There are a few small breaks between so many songs and it’s lovely to hear Rou interact with the crowd; his messages are just as poignant as the songs but it’s clear he wants everyone to have fun. It’s hard to pin point a genre when it comes to Enter Shikari but that’s why they have such a loyal following. You never know what you’re going to get but you know you’ll have never heard it before.

There is an incredible presence coming from everyone on stage throughout the whole night and it makes for an incredible show. Towards the end of the night comes the track a lot of people have been waiting for ‘Sorry, You’re not a Winner’. Hearing 2,500 people all clap in unison really is an experience of it’s own and is easily the highlight of the song. We’re given a mix of old and even older songs before the guys leave the stage leaving everyone wanting more. It’s not long before we’re chanting ‘Enter Shikari’ a few more times.

‘Constellations’ is the calm before the storm that is the encore. ‘{The Dreamers Hotel}’ is easily the crowd’s favourite from the evening. Anyone who didn’t know much of their discography, know this one and we’re all living for it. Followed by ‘Live Outside’, there was no better way to end the evening. People are using both ‘{The Dreamers Hotel}’ and ‘Live Outside’ to get there crowd surfing in and boy, are they making up for lost time. It’s a fun end to the night to see everyone getting involved and singing until they can’t sing no more. Anyone who didn’t leave the venue with “meanwhile” stuck in their head, didn’t understand the assignment.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Enter Shikari
  • rock/metal
  • rock/metal live review
Hope Small

Previous Article
Mari and Máté
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-ray review: Hungarian Masters

  • December 13, 2021
  • Rob Aldam
View Post
Next Article
  • Album Reviews
  • Music

Album Review: Vis-A-Vis – The Best Of Vis-A-Vis In Congo Style

  • December 13, 2021
  • John Parry
View Post
You May Also Like
Michael Cavanagh
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: CAVS expands his sonic palette on new single ‘First Light’

  • Deb Pelser
  • March 27, 2026
Liliana de la Rosa
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Liliana de la Rosa expands her cinematic world on ‘High Like Heaven’

  • Deb Pelser
  • March 27, 2026
Bachelor Girl
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Bachelor Girl rework ‘Treat Me Good’ with Jessica Mauboy

  • Deb Pelser
  • March 27, 2026
View Post
  • Music

News: Dark Mofo Festival unveils the eclectic 2026 musical lineup as well as the usual spectacular arts and performance events

  • Arun Kendall
  • March 27, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: Big League unveil the anthemic swagger of ‘Windanswagger’ ahead of Australian/New Zealand tour

  • Arun Kendall
  • March 27, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: The Night Packers’ ‘Invisible Ink’ shines with a pop sensibility and a wry humour.

  • Arun Kendall
  • March 26, 2026
TKAY
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tkay Maidza returns with explosive new single ‘Must Be’

  • Deb Pelser
  • March 26, 2026
Split Enz
View Post
  • Backseat Downunder
  • Music
  • News

News: Split Enz expand their Forever Enz Tour with new Brisbane and New Zealand dates

  • Deb Pelser
  • March 26, 2026
Stahr
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: STAHR interrogate memory and momentum on debut EP BLIP

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News

Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival

  • Deb Pelser
  • March 26, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
    EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

 

Loading Comments...
 

    %d