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Live Review + Photo Galleries: The Brian Jonestown Massacre bring the zing to The Odeon, Hobart 26.03.2026

  • March 28, 2026
  • Andrew Fuller
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For the second time in 18 months, an uncompromising Anton Newcombe and his cohort of highly talented musicians brought their special brand of psychedelia to Hobart as the Brian Jonestown Massacre droned their way through nearly two hours’ worth of blue pill goodness.

There was a tension which was palpable throughout the room, with fans acutely aware of the proceedings from the previous tour which saw Joel Gion leave the stage three quarters of the way through the corresponding performance at the Odeon in 2023 and the ensuing collapse of that tour following an on-stage dust-up in Melbourne.

The traditional long, between-song pauses that so often a part of a BJM performance (and can lead to some disquiet amongst some in the audience) were once again, evident in the performance. However, these were, by-and-large, well-tolerated by the Odeon crowd, showing a level of knowledge and patience that was appreciated by all, quelling any possible flashpoints that may have brought about a similar stoush as occurred last time the band were here.

It is also worthy of noting that the numerous guitar changes between songs are reminiscent of an American gridiron team change, with all four guitars being changed across the stage at once quite regularly. The band’s guitar technicians are certainly kept busy!

The music, as always, was exceptional.  At any point in time, anywhere from three to four guitars (often 12-string included) combined with the drums, keys and bass to produce a clear, yet multi-layered and mesmeric wall of sound which had the crowd swaying and moving as if hypotised by its’ lush form and texture.

The set-list was drawn from across the band’s vast 30+ year career and 20 album (and 14 EPs) catalogue, highlighting the creativity that has existed in Newcombe’s song-writing and the longevity of this much-loved icon of the neo-psychedelic movement .

The Brian Jonestown Massacre Gallery:

Supporting The Brian Jonestown Massacre was Tasmania’s own phenomenal shoegaze band, Dvrkworld, who played a short, yet thrilling set. It was remarkable to hear the band have to let the audience know that they were in fact, a Tasmanian band, with many surprised looks. However, that fact alone should ensure the band won over many a new fan with their highly polished performance.

Dvrkworld Gallery:

All images: ©fullonrockphotography/Andrew Fuller

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Andrew Fuller

Eclectic music lover, both live and recorded, spanning everything from alt-country to jazz and blues through to punk/classic rock and metal and everything in-between. Passionate gig photographer to boot.

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