New York City’s Geese return with Getting Killed, their third studio album and a sharp left-turn in sound, intent, and structure. Out now via Partisan Records, the record is ushered in by lead single Taxes, a disjointed, melodic sprawl that finds frontman Cameron Winter in full theatrical mode—his vocals leaping from anguish to absurdity without losing grip.
Having made their mark with 2021’s brooding Projector and 2023’s genre-blurring 3D Country, Geese now interrogate and dismantle their own past. Getting Killed is the fallout: a jagged, ambitious collection that pulls at the seams of rock conventions, recorded over a month in Los Angeles with producer Kenneth Blume.
The band’s reinvention doesn’t stop at the studio. Geese are set to embark on their biggest headline run to date, The Getting Killed Tour, kicking off October 10 in Burlington, Vermont, and wrapping with two sold-out nights at Brooklyn Paramount in November. Early glimpses of material from the album—tested out during recent festival slots—have already stirred a mix of confusion and devotion among fans, many of whom discovered the group through Winter’s esoteric solo record, Heavy Metal.
Backed by critical acclaim from Pitchfork, The New York Times, and GQ, Getting Killed doesn’t just mark the start of a new chapter—it burns the old pages for fuel.
Stream Taxes HERE.
Go HERE for details about the tour.
