0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Track / Video

See: Siobhan Wilson – Marry You

  • March 29, 2019
  • Rhiannon Law
Promo image of Siobhan Wilson for Marry You single. Image credit: Chris Scott
Total
0
Shares
0
0
0

Siobhan Wilson departs from fragility and arrives in a fiercer place with the video for latest single ‘Marry You’.

In 2017 Siobhan Wilson released her critically acclaimed album There Are No Saints. We adored it for its sheer beauty, but also the way it showed us a darker side to Wilson’s music that we had only seen glimpses of before. At the end of my review of that album, I stated that there was much more to come from her. She’s now back with new album The Departure (out 10 May via Suffering Fools Records) and, if single ‘Marry You’ is anything to go by, this release will see her showing us so much more of her exceptional artistry by exploring a more expansive sound.

The video for ‘Marry You’ (watch it below) sees Wilson walking purposefully through a dark wood that looks like something straight out of a new Nordic noir series. It’s beautiful but eerie and I wonder if she’s soon to be a victim of the thing that lives in the wood or whether she is someone to be scared of, hanging around in the dark. As the video progresses we see her standing completely still in the half-light between tree trunks while confidently staring down the camera lens at us and at one point she’s even holding an owl. It quickly becomes clear that this isn’t a story where Wilson is to be feared or feared for, instead it’s a demonstration of fierce independence – a lack of fear in the face of the darkness.

“I hadn’t previously hung out with an owl,” she confesses, “but I do spend a lot of my time walking outdoors contemplating things, dressed in black, so this didn’t feel like much of a different setting for me.” She also notes that she instinctively knew the video for ‘Marry You’ should be shot outdoors, saying “The dark tone of the song fitted well with the colour of the trees in that spot, but the spots we filmed in also capture the dark and mysterious tones of Scotland and its nature, which I am very attached to. I felt quite at home.”

The song itself is one I fell in love with when I first heard it played live by Wilson in her recent Celtic Connections festival set. The unmistakable sweetness in her vocal is contrasted with the heavier guitar-driven sound, achieved with her new Baritone Gretsch. Lyrically, the song rejects the restrictions we impose on ourselves and the idea of waiting for a cue from someone else in order to do something in your own life – all cleverly played out through the context of a marriage proposal – “If indecision is your decision, I do not need your permission”.

“I’m at an age where some of my female friends wonder, ‘When will he propose to me? What is he thinking?’” Wilson explains. “And I wrote a song that’s like: you propose to him, you are allowed to do that now.” The idea of impatience is perfectly summed up when she sings “Somebody tell him to stop messing around”.

With ‘Marry You’ Siobhan Wilson makes a powerful return and shows she’s definitely not messing around.

Siobhan Wilson’s upcoming tour dates:

12th May – Vox Box (in store), Edinburgh
17th May – King’s Arms, Salford
19th May – The Lexington, London
20th May – Kitchen Garden Cafe, Birmingham

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Indie
  • indie video
  • Siobhan Wilson
Rhiannon Law

Writer (@BackseatMafia). Photography (music + wildlife). Digital pro. More of my writing can be found on my website: www.rhiannonholly.com. The eagle lounge cannot be found, only felt.

Previous Article
  • Film
  • Film Preview

Incoming: Captive State

  • March 29, 2019
  • Rob Aldam
View Post
Next Article
  • Album Reviews
  • Music
  • Not Forgotten

Album Review: Marvin Gaye – You’re the Man

  • March 29, 2019
  • Jon Bryan
View Post
You May Also Like
Snail Mail
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tractor Beam’ finds Snail Mail exploring dissociation and distance

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: ‘Mother Please Forgive Me’ – Electro goth maestros Caligula reign supreme with their new emotional anthem.

  • Arun Kendall
  • March 26, 2026
Julia Cumming
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Julia Cumming captures the fragility of memory on ‘Please Let Me Remember This’

  • Deb Pelser
  • March 26, 2026
Sunk LOtto
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

News: Sunk Loto return with new single ‘Dead Shadows’ and intimate August shows

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Warmer (solo project of Sydney singer-songwriter John Encarnação) goes on a ‘Pitchfork Barndance (feat Dave Carter)’

  • Arun Kendall
  • March 25, 2026
Luk 45
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Luk45 blurs genre lines on introspective new track ‘Candles!’

  • Bodene Mckibbin
  • March 25, 2026
For Nina
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: ‘Labour Of My Love’ sees For Nina refine their quiet intensity

  • Deb Pelser
  • March 25, 2026
Jorja Smith
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Jorja Smith delivers cinematic new single ‘Price Of It All’ for Bait soundtrack

  • Deb Pelser
  • March 25, 2026
1 comment
  1. Pingback: Siobhan Wilson Video Review - Marry You | Sound and Fiction

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
    Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • News: The Pogues confirm Australian tour with new Brisbane show added
    News: The Pogues confirm Australian tour with new Brisbane show added
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d