Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tractor Beam’ finds Snail Mail exploring dissociation and distance

  • March 26, 2026
  • Deb Pelser
Snail Mail
Image Daria Kobayashi Ritch
Total
0
Shares
0
0
0

There’s a moment in Snail Mail’s new single ‘Tractor Beam’ where everything seems to lift, not in triumph, but in escape. It’s a feeling that runs through the track like a current, a quiet urge to detach, to drift just far enough away from yourself to make sense of what’s happening.

Debuted on The Tonight Show Starring Jimmy Fallon, the song arrives as the opening statement from Lindsey Jordan’s forthcoming record Ricochet, and it wastes no time establishing its emotional coordinates. Built on buoyant, jangling guitar lines and elevated by sweeping string arrangements from the Metropolis Ensemble, ‘Tractor Beam’ balances lift with weight, melody with unease.

Jordan’s vocal sits right at that intersection. There’s anthemic clarity to it, but also a sense of distance, as if she’s narrating from just outside the moment. The song circles dissociation, that disorienting split between body and mind, drawing in part from the unsettling emotional terrain of Mysterious Skin. It’s not treated as spectacle, but as something quieter and more persistent, a coping mechanism that arrives uninvited and lingers.

Visually, ‘Tractor Beam’ takes a different route. Shot on a New Jersey sheep farm and co-directed by Jordan and Elsie Richter, the accompanying video leans into a surreal, almost pastoral absurdity. Animals wander in and out of frame, Jordan moves through it all with a loose, unforced presence, and the now-recurring two-headed lamb motif threads its way through the imagery. It’s playful on the surface, but carries the same underlying tension as the track itself, a lightness that doesn’t quite settle.

Following earlier singles ‘My Maker’ and ‘Dead End’, which paired grunge-heavy textures with sharply defined melodic lines, ‘Tractor Beam’ feels more expansive, less tethered to a single sonic identity. It opens outward, allowing space for orchestration and atmosphere without losing the emotional directness that has defined Jordan’s writing since the beginning.

Snail Mail will be heading out on tour soon, tickets HERE.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • backseat downunder
  • Indie
  • indie tracks
  • Snail Mail
  • track
  • video
Deb Pelser

Lover of live music. Writes, Shoots and Leaves.

Previous Article
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: ‘Mother Please Forgive Me’ – Electro goth maestros Caligula reign supreme with their new emotional anthem.

  • March 26, 2026
  • Arun Kendall
View Post
Next Article
  • Backseat Downunder
  • Music
  • News

News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows

  • March 26, 2026
  • Deb Pelser
View Post
You May Also Like
View Post
  • Music

News: South Yorkshire Funk-Rocker Drew Davies Returns With ‘Running’

  • Simon Lucas-Hughes
  • November 13, 2026
View Post
  • News

News: Twin Phase Returns With Haunting New Single ‘Break’

  • Simon Lucas-Hughes
  • November 13, 2026
View Post
  • News

News: London’s All The Villains Share New Single ‘Flight Brother Sister’

  • Simon Lucas-Hughes
  • November 13, 2026
View Post
  • News

News: Max Swan Shines On The New Single ‘Paid to Lose’

  • Simon Lucas-Hughes
  • November 13, 2026
Ashanti
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Ashanti celebrates two decades of R&B at Sydney’s TikTok Entertainment Centre 13.11.2026

  • Deb Pelser
  • November 13, 2026
View Post
  • News

News: Randy Parsons & Friends Share Delicate New Single ‘Graduation Day’

  • Simon Lucas-Hughes
  • November 13, 2026
View Post
  • News

News: Shamik Bilgi Releases Eploritory New Album ‘Searching For Optimism’

  • Simon Lucas-Hughes
  • November 13, 2026
View Post
  • News

News: Mila Sidhu Shares New Single ‘HOME’

  • Simon Lucas-Hughes
  • November 13, 2026
View Post
  • News

News: Clarity Liao Releases Anticipated Debut EP ‘Dear…’

  • Simon Lucas-Hughes
  • November 13, 2026
View Post
  • News

News: Ava Renn Releases Sophomore Album You Want Love

  • Simon Lucas-Hughes
  • November 13, 2026

Leave a Reply Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Death Cab for Cutie return to Sydney's Hordern Pavilion after seven years 12.11.2026
    Live Gallery: Death Cab for Cutie return to Sydney's Hordern Pavilion after seven years 12.11.2026
  • Live Gallery: Ashanti celebrates two decades of R&B at Sydney's TikTok Entertainment Centre 13.11.2026
    Live Gallery: Ashanti celebrates two decades of R&B at Sydney's TikTok Entertainment Centre 13.11.2026
  • Album Review: Babyshambles Live At KOKO
    Album Review: Babyshambles Live At KOKO
  • Live Gallery: Jonah Marais reunites with Why Don't We bandmates at Sydney's Enmore Theatre 12.11.2026
    Live Gallery: Jonah Marais reunites with Why Don't We bandmates at Sydney's Enmore Theatre 12.11.2026
  • Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
    Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

Loading Comments...
%d