Carriageworks

Touring ‘Frog in Boiling Water‘, their first album in five years, DIIV brought their thick, slow-dripping sound to life with a set that doubled as a collage of cult consumerism, protest, and digital rot. Across the huge screen behind them, ads flickered like computer viruses: Soul-Net, ExxonMobil, fake slogans, anti-slogans. Aesthetics lifted from American mall …