experimental album – Backseat Mafia

Album review: John Thayer – ‘Supermundane’: a palimpsest of nuanced, intelligent ambience

NEW YORK percussionist, audio engineer and all-round musical polymath John Thayer, fresh from two collaborative, cassette-only albums last year – Untangling The Ghost, on which he sparred with reeds player…

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Album review: Resina – ‘Speechless’: a record that takes cello and choir into the apocalypse

KAROLINA REC is the darkly immense talent behind the Resina name, and she’s about to release her third album for FatCat’s modern and post-classical imprint, 130701, entitled Speechless; and as…

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Album review: Masayoshi Fujita – ‘Bird Ambience’: a marimba and electronica masterclass for meditative thought

IF YOU like your music deliciously abstract, abstractedly delicious; arranged beautifully, an absolute world of evocative sound; fell hard, for instance, for the albums Ryuichi Sakamoto made with Alva Noto,…

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Album review: Secret of Elements – ‘Chronos’: the worlds of classical and electronic pirouette

A decade in a life lived richly and well, presented on an album which straddles two worlds which are becoming ever better acquainted - modern classical and electronica; when Johann really hits home the two pirouette gloriously. At times worthy of a billing on Erased Tapes or the like, at times closer to J.Willgoose's warm analogue ambience as Late Night Final, if we can take one thing away, it's to endeavour to live as boldly, as clearly and as truly as Johann has

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Album review: Conrad Schnitzler – ‘Paracon: The Paragon Session Outtakes 1978-1979’ – more solid-state wizardry from the Kluster genius’s archives

Outtakes these nominally may be, but a decade on these tracks would have all seen a parallel life in the 12" and the like; a format which was only just starting to find its viability Stateside at this point in the Seventies. And remember not just that these ten tracks are culled from a year or more's intense creative fire, but that those sessions gave birth to three albums. It's an album for intense post-dusk savouring, soundscapes to fall sideways down the rabbit hole into, deep and otherworldly sonic immersion from one of the greatest electronic music brains.

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Album review: Sarah Haras – ‘Mirage’: deeply effective and affecting abstraction

Often abstract albums come across like a loose series of random sketches; but not Mirage. It’s got a clear vision that binds it together and like the best electronic music suggests something different to every listener each time they tune in … and that is some achievement

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Album review: Field Works – ‘Cedars’: Stuart Hyatt fuses cosmic Americana and Arabic sounds; the results are luscious

Cedars is quite a record - two records really; the first more orange and various other colours of the sun's framing of the beginning and the ending of the day, alive with a heartfelt yearning and cosmic sonic thrill. The second is far more verdant, deep green, homespun, and focuses in very much in on the wonder of the simple; the moments we all return to, perhaps, at least us rural dwellers. If you're at all conceptually familiar with the work of William Blake, his Songs Of Innocence And Experience, you'll see; the twining and correspondences. Climb into Cedars, join the two worlds for yourself; the album is long on thought and also on beauty.

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