post classical
Album Review: Maud The Moth – The Distaff : a dramatic, intense avant-rock statement.
Celestial, ethereal, bestial and brutal, woven with beauty and darker mysteries, you need a tapestry of adjectives to describe the music of Maud the moth. The project of Spanish-born / Scotland-based pianist and singer-songwriter Amaya López-Carromero, each Maud the moth album has been unapologetically ambitious but not at the expense of authenticity. Following her debut …
Album Review: Lawrence English – ‘Even The Horizon Knows Its Bounds’: evocative electronic music which engulfs and surrounds.
Considering theorist, writer, artist, curator and composer Lawrence English’s creative output over the last two decades, the phrase ‘a body of work’ inevitably looms. It’s a descriptor that generally feels over-used, with its own pretentions and hint of fawning respect, but for this singular experimental, electronic musician the image does ring true. The ever- evolving …
Track/Video: A statement of scale and integrity – Montreal ensemble FYEAR preview the dramatic ‘Pt.1 Trajectory’ from upcoming debut album.
So the presser says “FYEAR interrogates our present and future post-capitalist polycrisis“. Any creative project aiming to probe into that vortex would require scale, focus, finesse and integrity, which are exactly the qualities that this Montreal convened collective possess. Led by composer/ saxophonist Jason Sharp and poet/novelist Kaie Kellough, FYEAR have been sculpting their resonant …
Track/Video : Ambient/ Post-classical composer Madeleine Cocolas previews new album with the tidal power of ‘Bodies II’.
The sound of music or the music of sound? Australian composer and producer Madeleine Cocolas has always been an artist who finds no need to differentiate in her inspired post-classical/ambient work. Her 2018 album ‘Metropolitan’ wove the sonic pulse of software as it analysed artworks from the New York Met into a musical homage to …
Album Review: aus -‘Everis’: a serene and subtle post-classical work of distinction from the illusive Japanese composer.
Sometimes an album just sneaks up on you. Tokyo musician Yasuhiko Fukuzono maybe prolific as a producer, sound artist and curator of the renowned electronic music label FLAU but his solo releases in the guise of aus are rare. Sure there was the pan-global richness of the ‘Until Then’ twelve inch in February this year …
Album Review: Jessica Moss – Galaxy Heart: art-rock atmospheres with an enduring soul.
What will we think of lock down records when we listen back to them in years to come? Introspective music from a time of looking inwards because the outside world just stood still? Or maybe there was more space to dream, to take more risks, to break free from constraints because everything ahead was unknown. …
New Track/Video: Art Rock violinist Jessica Moss previews new album ‘Galaxy Heart’ with the dramatic ‘Uncanny Being’
Montreal based violinist and composer Jessica Moss is a musician of significance, fundamental to so much and a touchstone for creative dedication. A member of the seminal post punk ensemble Thee Silver Mt. Zion for fifteen years and contributor to recordings by the likes of Vic Chesnutt, Big/Brave and Sarah Davachi, she shifted focus to …
SEE: The beautiful visuals for Ólafur Arnalds’ ‘Woven Song’
ÓLAFUR ARNALDS is preparing for his new album, some kind of peace, to hit turntables across the world on November 6th; and he’s followed the beautiful noir of previous single-track teasers “Back To The Sky” and “We Contain Multitudes” with another stunning audiovisual drop in “Woven Song”; let yourself be dazzled down at the end. …
ALBUM REVIEW: Olivier Alary and Johannes Malfatti – ‘u,i’: beautifully humanist post-classicism, listening to the world talk to itself
ISDN, fibre-optics, the web. Sharing platforms, Skype, Facebook, Zoom; instantaneous transmission, the world shrunk to a pebble’s dimension. Our modern world, and especially the broader swathe of this fractured year 2020 would be unimaginable without it. And the latest offering from FatCat’s ever-intriguing leftfield imprint, 130701, a collaboration between Montreal-based Toulousain Olivier Alary and Berlin’s …
ALBUM REVIEW: Less Bells – ‘Mourning Jewelry’: absolutely affecting drone-post classical forged in loss
JULIE CARPENTER, who records for Texas’ home of boundary-pushing out-rock and drone beauty Kranky, has journeyed from musical academia at the University of North Texas, through session work as a violinist for bands such as Eels, to finding her own musical self as Less Bells. She released a graceful and beautiful set, Solifuge, for the …