0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Track / Video

Track: Brighton’s Jimmy Herrity Shares The Solemn & Intimate New Single ‘Lost Boys’

  • September 27, 2024
  • Staff Writers
Total
0
Shares
0
0
0

Brighton singer-songwriter Jimmy Herrity makes a poignant return with the intimate and heartfelt new single ‘Lost Boys’.

A stirring meditation on grief, loss, and the relentless passage of time, the track highlights Herrity’s raw and heart-on-the-sleeve approach to storytelling, blending a delicate soundscapes with deeply personal themes. Opening with a soft bed of fingerpicked electric guitar and a surrounding swell of bubbling, reverby atmospherics, Herrity’s reflective, emotive vocal delivery takes centre stage as he delivers a gentle and tender vocal.

Adding a beautifully placed vocal harmony in the chorus, the track gradually builds towards a beautifully close as buzzing electronic bass, layers of picked guitars, and tight drums enter. As the tracks climax hits, the track draws comparisons to Radiohead, Bon Iver or The National with its use of layering and warming textures.

Thematically, the track resonates with feelings of helplessness, grief, and the ever-looming passage of time. Herrity has nurtured various versions of this track over the years, with its meaning further deepened by a series of personal losses, including the tragic suicide of his brother, the end of a five-year relationship, and the more recent death of his close friend, James Macnish. The latter was a particularly significant loss, as Herrity and his guitarist performed ‘Lost Boys’ at Macnish’s funeral, adding another layer of poignancy to the track.

Herrity explains: “‘Lost Boys’ is about that gnawing feeling of wishing you’d done more with your time and yearning for something to save you. It’s a reflection on self-doubt, with verses that cascade through uncertainty and a pre-chorus that paints romantic, wintry imagery of better days to come. The chorus—’Well, I haven’t seen much of the sea this summer’—is an analogy for feeling like time is slipping away.“

Originally titled ‘The Lost Boy,’ Herrity renamed the track ‘Lost Boys’ to reflect the multiple people he has lost, particularly his brother and close friend. Over time, the song has gained more emotional weight and history, making it a powerful tribute to the connections he’s had and lost. Herrity remarks, “It’s been around for a while and seems to keep taking on more meaning. Which is funny because it was already pretty fucking sad.“

Following performances at the Isle of Wight Festival and other key slots at Washed Out, Neon, and Icebreaker, Herrity is gearing up for his biggest headline shows yet, scheduled for December 2024. ‘Lost Boys’ is a perfect example of Jimmy Herrity’s ability to capture his feelings within a track whilst displaying a musical understanding and moments of beautiful musicality. Listen below:

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Jimmy Herrity
  • Lost Boys
Staff Writers

Previous Article
  • Album Reviews

Review: Asian Dub Foundation celebrate 30 years with a consummate compilation

  • September 27, 2024
  • Huw Williams
View Post
Next Article
  • News

News: Bonneville Share Vibrant New Single ‘Over Breakin’’

  • September 27, 2024
  • Simon Lucas-Hughes
View Post
You May Also Like
View Post
  • Track / Video

Track: Wakefield’s Oliver Pinder Unleashes ‘Such An Angel’

  • Simon Lucas-Hughes
  • March 27, 2026
Michael Cavanagh
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: CAVS expands his sonic palette on new single ‘First Light’

  • Deb Pelser
  • March 27, 2026
Liliana de la Rosa
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Liliana de la Rosa expands her cinematic world on ‘High Like Heaven’

  • Deb Pelser
  • March 27, 2026
Bachelor Girl
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Bachelor Girl rework ‘Treat Me Good’ with Jessica Mauboy

  • Deb Pelser
  • March 27, 2026
TKAY
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tkay Maidza returns with explosive new single ‘Must Be’

  • Deb Pelser
  • March 26, 2026
Snail Mail
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tractor Beam’ finds Snail Mail exploring dissociation and distance

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: ‘Mother Please Forgive Me’ – Electro goth maestros Caligula reign supreme with their new emotional anthem.

  • Arun Kendall
  • March 26, 2026
Julia Cumming
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Julia Cumming captures the fragility of memory on ‘Please Let Me Remember This’

  • Deb Pelser
  • March 26, 2026
Sunk LOtto
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

News: Sunk Loto return with new single ‘Dead Shadows’ and intimate August shows

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Warmer (solo project of Sydney singer-songwriter John Encarnação) goes on a ‘Pitchfork Barndance (feat Dave Carter)’

  • Arun Kendall
  • March 25, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
    EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
  • Live Gallery: Avalanche and The Datsuns crash headfirst into Sydney's Crowbar with high-octane sets 27.03.2026
    Live Gallery: Avalanche and The Datsuns crash headfirst into Sydney's Crowbar with high-octane sets 27.03.2026
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d