0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Album Reviews
  • Music

Album Review: Bloodhounds – Eat Lies EP

  • September 2, 2022
  • Craig Young
Total
0
Shares
0
0
0

Hard rockers from the south coast Bloodhounds have dropped their 5 track EP that delves into the emotions of growing up and learning that there is a thin veneer to society that, when peeled back, reveals how evil mankind can be all the while reevaluating life and finding meaning.

Stamping their intent with the frantic first track ‘Throw Us In The Fire’ the band drop an explosive riff-filled hard rock monster. The track lays down what we can expect from this band with face melting guitar solo, dirty riffs and arena sized drumming. On top of which Joe Newall’s Cornell’s tinged vocals sit as the perfect vocalist for the bands hard rock.

Picking straight up after the first track the hard rock continues with ‘We’re Not The Same’. A hard hitting track with serious dynamics and superb vocal performance from singer Joe (Joey Mack) Newell. The energetic guitars burst out of no where either laying down a rampaging riff or a slick guitar solo over the thumbing of Kai Marsh’s drums.

With the groovey bass heavy ‘Grow’ you get to hear the Newell’s vocal range, from low down croon to big lung screaming. The guitar partnership between James Percival and Jack Meaden also comes to the fore here with grinding riffs and Percival giving a solid rhythm base for Meaden to add melodic touches and of course his smoking solos.

‘What I Have’ a storming track with an exceptional grooved up middle 8 that flies straight into a heavily affected guitar solo from Meaden who has a well-developed style enhancing those hard rock credentials of the band. They have taken the classic hard rock formula and turned it up to 11 adding a hard rock/metal edge to it shown in the heavier sound and screamed vocals.

Final track ‘Big Enough’ brings things down with a slow rock burner with Newall shining again with a cracker of a vocal track over big chords and crashing drums. Its an epic track that builds into a musical storm riding the waves of one of the best rock solos I have heard in a while courtesy of Guitarist Meadon’s fretboard.

Singer Newall and guitarist Meadon hog the limelight with their exceptional performances but appreciation must be given to Tom Oliver-Hawkins, Kai Marsh and James Percival who give the two lads the base to stand up on and shine.

This is an EP from a band who clearly love what they doing and share the same influences that they have funnelled into their songwriting. It’s a collective effort that sees this EP as one of the best hard rock releases this year. The band have brought the hard rock genre bang up to date.

Check out the band’s track What I Have, below:

Find out more about the band via their Facebook

The EP is available on all DSP’s

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • bloodhounds
  • rock/metal
  • rock/metal albums
Craig Young

North East England Writer/photographer for Backseat Mafia. Photography portfolio can be found at www.craigsuperstaryoung.co.uk

Previous Article
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Hussy Hicks release second track, Capitulation, from upcoming EP along with surprise mobile gaming app

  • September 2, 2022
  • Andrew Fuller
View Post
Next Article
  • Features
  • Music

Feature: Birmingham Band Blue Nation Give Us A Track By Track For Their New EP ‘Echoes’

  • September 2, 2022
  • Craig Young
View Post
You May Also Like
Michael Cavanagh
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: CAVS expands his sonic palette on new single ‘First Light’

  • Deb Pelser
  • March 27, 2026
Liliana de la Rosa
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Liliana de la Rosa expands her cinematic world on ‘High Like Heaven’

  • Deb Pelser
  • March 27, 2026
Bachelor Girl
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Bachelor Girl rework ‘Treat Me Good’ with Jessica Mauboy

  • Deb Pelser
  • March 27, 2026
View Post
  • Music

News: Dark Mofo Festival unveils the eclectic 2026 musical lineup as well as the usual spectacular arts and performance events

  • Arun Kendall
  • March 27, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: Big League unveil the anthemic swagger of ‘Windanswagger’ ahead of Australian/New Zealand tour

  • Arun Kendall
  • March 27, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: The Night Packers’ ‘Invisible Ink’ shines with a pop sensibility and a wry humour.

  • Arun Kendall
  • March 26, 2026
TKAY
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tkay Maidza returns with explosive new single ‘Must Be’

  • Deb Pelser
  • March 26, 2026
Split Enz
View Post
  • Backseat Downunder
  • Music
  • News

News: Split Enz expand their Forever Enz Tour with new Brisbane and New Zealand dates

  • Deb Pelser
  • March 26, 2026
Stahr
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: STAHR interrogate memory and momentum on debut EP BLIP

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News

Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival

  • Deb Pelser
  • March 26, 2026
1 comment
  1. Pingback: Meet: Bloodhounds Who Have One Of This Years Best Hard Rock Releases – Backseat Mafia

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
    EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d