0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Album Reviews
  • Music

Album Review: Guided By Voices – Mirrored Aztec

  • August 17, 2020
  • Greg Hyde
Total
0
Shares
0
0
0

Having formed in Dayton, Ohio in 1983, Guided By Voices are nearly as old as the author of this album review. They were responsible for my favourite indie rock album of last year, ‘Sweating the Plague’, which they followed up earlier this year with the rather less impressive ‘Surrender Your Poppy Field’.

The band have outlasted (and in some cases outlived) most of their contemporaries from the 1980s college rock scene and acquired a reputation for playing sets of lengths for which bands half their age can only dream of summoning up the stamina. Guided By Voices continue to produce and perform material of a quality some critics would claim artists of their age and longevity do not have a right to play and record.

I am happy to report that ‘Mirrored Aztec’, GBV’s 31st full-length album, upholds the band’s reputation for producing reliably consistent, punchy, and solid indie rock songs. While it possibly isn’t as good as ‘Sweating the Plague’, it is a great collection of gorgeous, summery melodies like ‘To Keep an Area’ that makes a near-ideal soundtrack to what’s looking like it could become an Indian summer.

That being said, songs like ‘Haircut Sphinx’ have a more urgent rhythm to them which one can imagine going down a storm on the band’s autumn US tour (circumstances permitting). One of the strengths of ‘Mirrored Aztec’ is the way in which its songs maintain their infectiousness, even when their pacing alters.

Indeed, the album is remarkably unrushed-sounding considering that it’s the fifth album in 19 months by a group of late-middle-aged men who are known for playing sets of three or more hours’ duration. Another intriguing aspect to it is its harking back to the band’s roots; ‘Bunco Men’, previously available on rarities collection ‘Suitcase: Failed Experiments and Trashed Aircraft’ (2000), is dusted off and given a new rendition by GBV’s current line-up, while on ‘Math Rock’, frontman and chief songwriter Robert Pollard enlists a children’s choir to pay tribute to his erstwhile contemporaries in the titular genre.

‘Mirrored Aztec’ sees Guided By Voices consolidate their position as the hardest-working men in indie rock. At 62, Pollard isn’t showing any signs of slowing down, and nor should he. While the album won’t hold any great surprises for long-standing followers of the band, its melodies are far punchier and more attention-grabbing than those on ‘Surrender Your Poppy Field’ (even if Doug Gillard and Bobby Bare Jr.’s guitar work lacks the harder edges it had on ‘Sweating the Plague’). It should appeal to devotees of GBV’s classic ninth album ‘Under the Bushes Under the Stars’ (1996), and it will also likely be enjoyed by fans of Hüsker Dü, Mission of Burma, Cloud Nothings, and Teenage Fanclub. ‘Mirrored Aztec’ is released via GBV Inc on August 21st. Pre-order it here.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • GBV Inc
  • Guided by voices
  • indie rock
  • Mirrored Aztec
Greg Hyde

Greg Hyde is a freelance music and film writer, hailing originally from Leicester but now living in South East London.

Previous Article
  • Album Reviews
  • Music

ALBUM REVIEW: Keys – ‘Home Schooling’: lo-fi Welsh powerpop gems

  • August 17, 2020
  • Chris Sawle
View Post
Next Article
  • Behind The Boards
  • Droppin’ Knowledge
  • Interview
  • Music
  • Track / Video

Droppin’ Knowledge: Behind The Boards With Jacob Barlow

  • August 17, 2020
  • MD Semel
View Post
You May Also Like
Split Enz
View Post
  • Backseat Downunder
  • Music
  • News

News: Split Enz expand their Forever Enz Tour with new Brisbane and New Zealand dates

  • Deb Pelser
  • March 26, 2026
Stahr
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: STAHR interrogate memory and momentum on debut EP BLIP

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News

Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News

News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows

  • Deb Pelser
  • March 26, 2026
Snail Mail
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tractor Beam’ finds Snail Mail exploring dissociation and distance

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: ‘Mother Please Forgive Me’ – Electro goth maestros Caligula reign supreme with their new emotional anthem.

  • Arun Kendall
  • March 26, 2026
Julia Cumming
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Julia Cumming captures the fragility of memory on ‘Please Let Me Remember This’

  • Deb Pelser
  • March 26, 2026
Escape the Fate
View Post
  • Backseat Downunder
  • Music
  • News

News: Escape The Fate return to Australia with The Word Alive for June tour

  • Deb Pelser
  • March 26, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
    Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
  • News: The Pogues confirm Australian tour with new Brisbane show added
    News: The Pogues confirm Australian tour with new Brisbane show added
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • Track: Future Islands mark 20 years with From a Hole in the Floor to a Fountain of Youth
    Track: Future Islands mark 20 years with From a Hole in the Floor to a Fountain of Youth
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d