0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Album Reviews
  • Music
  • News

Album Review: TC & The Groove Family – ‘We Have Each Other’ : UK Nu-jazz collective forge ahead with a powerful, passionate EP.

  • June 8, 2024
  • John Parry
Total
1
Shares
0
0
1

It’s been a while since we’ve heard from TC & The Groove Family but you can’t keep a good collective down. Led by drummer Tim Cook (TC) and based around players who originally crossed paths in Leeds, the band’s 2022 debut ‘First Home’ (reviewed in BSM HERE ) made a sizeable dent in the listening schedules. Here was a young jazz ensemble with a rootsy, dance-centric outlook, diving into the UK scene with their afrobeat directness and hip-hop fluidity.

Since that time their geographies have shifted as people moved on and moved out but the TC & the Groove Family spirit has remained intact. To prove that point we now have the pulsating new EP ‘We Have Each Other’, out via Bridge The Gap. With core members still contributing, Tom Excell (of Nubiyan Twist/Onipa) again producing and Sheffield based rap fusionist Franz Von returning on vocals and lyrical messaging, it might suggest the band’s new music is consolidating, but that’s not the full story. This new EP sees The Family pushing with a harder musical edge to explore and expose the upheavals of our day to day.

Opening track Stand Strong highlights such progression. A popping bass line with a fine Cymande flow, grip tight brass squeezes and drums rolling with Tony Allen-esque purpose are the foundation but from here the group gear things up. Hannah Mae’s roaring sax solo, those searing Steely Dan-ish guitar fills and Franz Von’s assertive rhymes capture the band’s new urgency. As the MC calls out ‘Stand Firm! Stand Strong!’ you need no more convincing.

Similar spikey, jabbing, Franz Von poetics bring a vocal directness to the dub intensity of Here, Now. The track may open with jangling guitars and end of the night horns but it soon sweeps between a deep slow skank and a soundtrack rich expanse. There are echoes of Barry Adamson noire in places but Max Purcell-Burrows earthy trombone rumble, Nicole Raymond’s incisive turntable quips plus the post-rock resonance of the Scott and Sayers’ guitar shadings, emphasise the Groove Family-ness of the music here. This time around the band seem more than ever to be forging their own distinctive personality.

That confidence in their collective gives the only instrumental on the EP, We Have Each Other, a big band swagger. From scuttling, locomotive afrobeat plus tempo fest of percussive chocks and timbale rimshots to the mid-section breather of Spanish guitar plucks it’s a cut with bundles of defiant energy. As the tune throttles towards its giddy close, the inventive scratching scat from Raymond (a.k.a Nik Nak) pushes the band leftfield and out-there. Merging their jazz grooves with this quirky hip hop experimentalism distinguishes TC & The Groove Family and suggests they should soon be nestling alongside other boundary pushing ensembles such as Kokoroko or Nerija.

Following on from the approach they took on their debut album, the band again look to extend their dynamic with other voices. This time around they have collaborated with Nubiyan Twist’s vocalist Aziza Jaye and Birmingham based, rapping wordsmith SANITY. Perhaps the introduction to Jaye’s soulful power came via the EP’s producer and Nubyan Twist’s leader Tom Excell but whatever the route, her contribution on Blessed adds another emotional dimension to the track’s muscular agitation. A complex Kamasi -scale arrangement that punches out from the Defunkt corner finds resolution in Jaye’s unflustered clarity as she asserts “You look so much better when you do you.”

The hook up with SANITY on the closing track Wile Out is similarly inspired, the song projecting the EP into even more daring diversions. There’s a dipsy Brainfeeder intro before the tune effortlessly morphs Franz Von’s brimstone gravity with SANITY’s clipped jungle articulation. Her rhymes have a succinct ring to them, “Made to feel inadequate but really you’re ahead of that/You should be a syllabus not finding what you’re better at” is one of many which sticks. Here the narrative flow between the vocal pairing is faultless, fuelled as elsewhere by Tom Cook’s unfailing, kaleidoscopic rhythmic agility.

‘We Have Each Other‘ feels like the core players, now that their inseparable student days in the Leeds underground club scene are long gone, have relished taking the next step together. This is prime UK nu-jazz at its articulate, flexible, unpretentious, genre fluid best.

Get your copy of ‘We Have Each Other‘ by TC & The Groove Family from your local record store or direct from the group’s Bandcamp page HERE


Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
1
Shares
Share 0
Tweet 0
Pin it 1
Related Topics
  • afrobeat
  • Bridge The Gap
  • jazz fusion
  • Nu-Jazz
  • TC & The Groove Family
John Parry

Lifelong listener and occasional commentator- further adventures can be found on instagram, tumblr and sound selection/mixtapes on: mixcloud.com/HouseAtTheFootOfTheMountain/

Previous Article
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Middle Kids Rock the Enmore Theatre, Sydney 07.06.2024

  • June 8, 2024
  • Deb Pelser
View Post
Next Article
Alter Boy
  • Backseat Downunder
  • Music
  • News

News: Alter Boy Release ‘Don’t Hurt Me (I used to be a baby)’ Announce new Album

  • June 9, 2024
  • Deb Pelser
View Post
You May Also Like
The Horrors
View Post
  • Backseat Downunder
  • Music
  • News

News: G.U.N join The Horrors on long-awaited Australian tour

  • Deb Pelser
  • March 31, 2026
Brighton Psych Fest
View Post
  • Backseat Downunder
  • Music
  • Music Festival
  • News

News: Brighton Psych Fest adds second wave of artists for 2026 edition

  • Deb Pelser
  • March 31, 2026
Plini
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

News: Plini announces An Unnameable Desire with deceptively restrained title track

  • Deb Pelser
  • March 31, 2026
Snow Machine
View Post
  • Backseat Downunder
  • Music
  • Music Festival
  • News

News: Snow Machine adds Hilltop Hoods and Example to stacked 2026 lineup

  • Deb Pelser
  • March 31, 2026
Vacations
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

News: Vacations return with new single ‘Holy Grail’ and global tour

  • Deb Pelser
  • March 31, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Cam Butler (Ron S Peno & the Superstitions) unveils new track ‘The Warning’ from forthcoming album ‘World Forever’

  • Arun Kendall
  • March 31, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

News: Melbourne-based supergroup Fancy Weapon announce debut album and release the blistering ‘Squid’

  • Arun Kendall
  • March 30, 2026
Madigan's Wake
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: ‘Easter’ sees Madigan’s Wake fuse Irish tradition with punk urgency

  • Deb Pelser
  • March 30, 2026
Teen Jesus and the Jean Teasers
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Teen Jesus and the Jean Teasers announce GLORY deluxe with new single

  • Deb Pelser
  • March 30, 2026
Mount Joy
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Mt. Joy explore anxiety and presence on new track ‘Is Joy Easy’

  • Deb Pelser
  • March 30, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Madison Beer Brings the Heat to Sydney 30.08.2024
    Live Gallery: Madison Beer Brings the Heat to Sydney 30.08.2024
  • Live Review & Gallery: Counting Crows balance nostalgia and new blood in a career-spanning Sydney set 29.03.2026
    Live Review & Gallery: Counting Crows balance nostalgia and new blood in a career-spanning Sydney set 29.03.2026
  • News: Melbourne-based supergroup Fancy Weapon announce debut album and release the blistering 'Squid'
    News: Melbourne-based supergroup Fancy Weapon announce debut album and release the blistering 'Squid'
  • Album Review: Fcukers’ Ö is a 28-minute rush of sweat, speed and downtown chaos
    Album Review: Fcukers’ Ö is a 28-minute rush of sweat, speed and downtown chaos
  • Live Review + Photo Galleries: The Brian Jonestown Massacre bring the zing to The Odeon, Hobart 26.03.2026
    Live Review + Photo Galleries: The Brian Jonestown Massacre bring the zing to The Odeon, Hobart 26.03.2026
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d