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Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival

  • March 26, 2026
  • Deb Pelser
Some songs don’t just exist, they haunt the collective memory, looping endlessly through car radios, dance floors and the internet’s more chaotic corners. VAN PLETZEN and SOSSI’s take on ‘Maia-hee’ knows exactly…
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News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows

  • March 26, 2026
  • Deb Pelser
This June, Lydia Lunch returns to Australia not to gently revisit the past, but to drag it, still twitching, back into the light. Marking ten years since the death of Alan Vega, Lunch…
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Snail Mail
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Track: Tractor Beam’ finds Snail Mail exploring dissociation and distance

  • March 26, 2026
  • Deb Pelser
There’s a moment in Snail Mail’s new single ‘Tractor Beam’ where everything seems to lift, not in triumph, but in escape. It’s a feeling that runs through the track like a current, a quiet…
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Track: ‘Mother Please Forgive Me’ – Electro goth maestros Caligula reign supreme with their new emotional anthem.

  • March 26, 2026
  • Arun Kendall
It’s playtime again for the magnificent Caligula they follow up last year’s live gigs celebrating thirty years of sonic success and their comeback single last year (see my review here),…
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Julia Cumming
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Track: Julia Cumming captures the fragility of memory on ‘Please Let Me Remember This’

  • March 26, 2026
  • Deb Pelser
There’s a fragile kind of clarity running through ‘Please Let Me Remember This’, the new solo offering from Julia Cumming. Built around trembling piano and gauzy, slow-drifting guitars, the track moves with…
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Escape the Fate
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News: Escape The Fate return to Australia with The Word Alive for June tour

  • March 26, 2026
  • Deb Pelser
This June, Escape The Fate return to Australia not as a band still operating at full throttle, bringing two decades of hard rock muscle back into rooms that have been waiting far…
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Sunk LOtto
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News: Sunk Loto return with new single ‘Dead Shadows’ and intimate August shows

  • March 26, 2026
  • Deb Pelser
here’s a particular kind of return that doesn’t rely on nostalgia so much as it destabilises it. Sunk Loto’s re-emergence has carried that energy since 2022, not a reunion framed as revival,…
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Track: Warmer (solo project of Sydney singer-songwriter John Encarnação) goes on a ‘Pitchfork Barndance (feat Dave Carter)’

  • March 25, 2026
  • Arun Kendall
Sydney singer-songwriter John Encarnação is a pillar of the indie music scene in Australia, known for his involvement in one of our favorite institutions The Nature Strip. Under the guise…
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Luk 45
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Track: Luk45 blurs genre lines on introspective new track ‘Candles!’

  • March 25, 2026
  • Bodene Mckibbin
At its core, “Candles!” is a hip hop track, but it doesn’t sit comfortably in any one genre. It drifts between indie, lo-fi pop, and alternative R&B, creating something that…
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For Nina
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Track: ‘Labour Of My Love’ sees For Nina refine their quiet intensity

  • March 25, 2026
  • Deb Pelser
There’s a quiet kind of confidence that doesn’t announce itself, it just settles in and refuses to leave. On ‘Labour Of My Love’, Dublin trio For Nina lean into that space, returning with…
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