0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Film
  • FIlm Review

Film Review: Il Buco

  • June 8, 2022
  • Rob Aldam
The scientists descend into the caves
Total
0
Shares
0
0
0

Modern exploration is usually looking up to the stars, but there are still so many places on this planet which are mysteries to us. The heart of the Amazon Rainforest, the deepest oceans and sometimes the ground beneath our feet. In the 1960s, young speleologists (cave scientists and enthusiasts) explored Europe’s deepest cave. They reached the bottom of the Bifurto Abyss for the first time, 700 feet down.

Filmmaker Michelangelo Frammartino is a big fan of caves himself and travelled to the rural Calabrian hinterland to recreate their journey for his new film, Il Buco. While the explorers make their epic descent, the nearby villagers are largely unaware of their record-breaking expedition. Apart from a passing shepherd and his flock. Time ticks by slowly for the locals as they go about their daily lives.

Il Buco is a slow and thoughtful film which is captivating and charming in equal measure. The first you’ll notice is the jaw-dropping visuals, the Italian countryside conjured up beautifully through the magical lens of Renato Berta, but it’s the quiet and studied normality which really stays with you. That’s the true joy of Frammartino’s little gem. Il Buco is an unassuming and delicate docudrama which slowly creeps under your skin.

Il Buco will be out in UK cinemas on 10 June.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Il Buco
  • Michelangelo Frammartino
  • New Wave Films
  • Renato Berta
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Backseat Downunder
  • News

News: Adelaide hosts the Spin Off Festival in July and Heaps Good Festival in January.

  • June 8, 2022
  • Staff Writers
View Post
Next Article
Clamm
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Clamm are back with potent new track ‘Monday’

  • June 8, 2022
  • Deb Pelser
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022
View Post
  • Film
  • FIlm Review

Film Review: Jurassic Punk

  • Rob Aldam
  • December 13, 2022
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Adrift in Tokyo

  • Rob Aldam
  • December 12, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
    EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d