0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Music
  • Not Forgotten

Not Forgotten: They Might Be Giants – Severe Tire Damage

  • August 11, 2018
  • Jon Bryan
Total
0
Shares
0
0
0

It’s probably fair to say that there are mixed opinions when it comes to Severe Tire Damage. An album of largely live performances, of the two studio tracks, one is one of They Might Be Giants’ undisputable classics, “Dr Worm”, the other is a short and sweet instrumental acting as a bridge between “Dr Worm” and the live tracks.

The live tracks themselves don’t try and con us into thinking that they are all taken from the same performance, so fadie out where necessary. Where some would no doubt prefer that more effort had been put into creating seamless transitions to give the impression of one performance, the fact that some are live tracks recorded in sound checks, others in front of audiences of different sizes, makes this something of a fools errand, where more effort being potentially put into the gaps between the songs, than the songs themselves. By not hiding the fact that this is a range of different performances, it gives Severe Tire Damage a refreshingly honest feeling.

With songs taken from every point in their career up to the time of recording, They Might Be Giants are audibly having fun throughout, be it the way they thrash through “Why Does the Sun Shine? (The Sun Is a Mass of Incandescent Gas)”, or the way they sing the riff on the accordion and vocal only “Meet James Ensor”. Something which is often overlooked when assessing the output of TMBG is how awesome a live guitarist John Flansburgh is, something which is on display throughout Severe Tire Damage, though proceedings are often dominated by Linnell’s keyboard work.

As a short and sweet representation of TMBG in a variety of live scenarios, Severe Tire Damage is a fun offering, giving us their big hit, unreleased gems, early prototypes of songs that would later become much loved. Yes, there will be the inevitable minor arguments about if these live versions are superior or inferior to the studio originals, but that’s missing the point a little – Severe Tire Damage is a knockabout fun album, it’s not meant to be analysed for deep meaning or scrutinised until the paint starts to peel. It’s just supposed to be inconsequential and entertaining. If you prefer They Might Be Giants’ studio albums, then that’s no big deal, Severe Tire Damage is just a chance to get an impression about what TMBG can be like on stage. Sometimes, they’re even better than this, sometimes, they’re not quite as good, these are just examples.

Following the main live tracks Severe Tire Damage closes with a clutch of hidden tracks which form a Planet of the Apes informed suite of tunes. Although of varying sound quality, none of them sound any better than an amateur bootleg and like the other live tracks, no effort has been made to hide the fact that they were recorded at different gigs. Obviously not taken seriously, the suite covers a range of styles, from lounge jazz, to sweaty riff rock and many fans will opt to stop the album before they start. That’s okay though, the suite is something which is effectively a fun freebie, rather than something to be taken seriously.

Severe Tire Damage isn’t an album that you should buy before any of They Might Be Giants’ studio releases, but rather one that’ll stand on the shelf next to them. Relax. Have fun. Everyone else is.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Indie
  • indie rewind
  • They Might Be Giants
Jon Bryan

Previous Article
  • Film
  • Film Preview

Incoming: The Meg

  • August 10, 2018
  • Rob Aldam
View Post
Next Article
  • Track / Video

Say Psych: Video: Julie’s Haircut – Fountain

  • August 11, 2018
  • Le Crowley
View Post
You May Also Like
Split Enz
View Post
  • Backseat Downunder
  • Music
  • News

News: Split Enz expand their Forever Enz Tour with new Brisbane and New Zealand dates

  • Deb Pelser
  • March 26, 2026
Stahr
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: STAHR interrogate memory and momentum on debut EP BLIP

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News

Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News

News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows

  • Deb Pelser
  • March 26, 2026
Snail Mail
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tractor Beam’ finds Snail Mail exploring dissociation and distance

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: ‘Mother Please Forgive Me’ – Electro goth maestros Caligula reign supreme with their new emotional anthem.

  • Arun Kendall
  • March 26, 2026
Julia Cumming
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Julia Cumming captures the fragility of memory on ‘Please Let Me Remember This’

  • Deb Pelser
  • March 26, 2026
Escape the Fate
View Post
  • Backseat Downunder
  • Music
  • News

News: Escape The Fate return to Australia with The Word Alive for June tour

  • Deb Pelser
  • March 26, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
    Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • News: The Pogues confirm Australian tour with new Brisbane show added
    News: The Pogues confirm Australian tour with new Brisbane show added
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d