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contemporary classical

7 posts
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Album Review : Lea Bertucci – Of Shadow and Substance : Pushing through electro -acoustic boundaries and shifting our perspectives.

  • December 4, 2023
  • John Parry
For over a decade of releases and live performance Lea Bertucci has drawn on the shapes, sounds and possibilities of the clarinet, saxophone, strings, vibraphone and harp to create long…
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News/Track/Video: Felipe Vaz – ‘The Well Frozen Piano’: inspirational connections with the La Monte Young masterpiece.

  • November 21, 2022
  • John Parry
For Difficult Art And Music’ s latest intriguing release, Brazilian sound artist Felipe Vaz presents ‘The Well Frozen Piano’. A reconnection with American experimentalist La Monte Young’s seminal sixties centrepiece…
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Album Review: Tegh & Adel Poursamadi – Ima ایما : probing electro-acoustic possibilities and reaching to the future.

  • July 22, 2022
  • John Parry
As a practitioner and sound artist Shahin Entezami (aka Tegh) has produced a consistent stream of expansive works which have put him at the forefront of the Iranian experimental music…
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New Track: Tegh & Adel Poursamadi probe electro-acoustic possibilities with Ijād ایجاد from soon come album Ima ایما

  • May 31, 2022
  • John Parry
From the burgeoning expanse of Iran’s electronic and experimental soundscape comes the latest project from practitioner/sound artist Shahin Entezami aka Tegh. Collaborating with fellow Tehran resident, violinist Adel Poursamadi, a…
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Live Review: Anna Meredith and the LCO – Barbican, London 30.4.22

  • May 2, 2022
  • John Parry
Anna Meredith’s electronic pop music has always been orchestral in scale, layered, interconnected, harmonically complex and structured like a tight stack of circuit boards, wired for glorious sound. So the…
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Album Review: String duo Balladeste shine with sublime ‘Beyond Breath’

  • December 8, 2021
  • Lara Eidi
Balladeste are string duo Tara Franks ( cello) and Preetha Narayanan ( violin). Their much anticipated sophomore album, ‘Beyond Breath’ was released earlier this year in October 2021 to rave reviews,…
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Album Review: James McVinnie – Counterpoint

  • December 4, 2021
  • John Parry
What is it about the tags neo-classical or contemporary-classical that often brings out that immediate ‘not for me’ reaction in people? Too much baggage, too many connotations associated with that…
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