0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

Album Review: Allday’s ‘Drinking With My Smoking Friends’ is an atmospheric masterclass in dreamy, melancholic indie pop

  • May 27, 2021
  • Arun Kendall
Total
0
Shares
0
0
0

Adelaide born but now Melbourne resident Allday (the moniker of Tom Gaynor) magnificent album ‘Drinking With My Smoking Friends’ has been anticipated by a series of stunning singles that have indicated the presence of a special artist. Known more for rap, this album is a new turn – melodic dream pop that is sparkling.

Opening track ‘Void’ is a melodic and lush single with just a hint of yearning and crisp instrumentation based on an acoustic guitar brush: reflecting a deliberate shift by Allday to move away from his rap origins towards an indie pop style. After working with producer Japanese Wallpaper on ‘In Motion’, a track that appeared on his 2017 record Speeding, Gaynor felt compelled to further explore more open, sentimental melodies:

“I came back to Australia from LA and I was working out what comes next. My music has always been somewhat varied: there’s different types of rap, really pop songs, house-y stuff. There was an element, with songs like In Motion, where the tough guy facade came down. So then I thought, ‘Why am I still holding on to that?’

The result is a clear illustration of Allday’s songwriting craft, a beautiful delivery imbued with a dreamy wistfulness and clarity:

‘Cup of Tea in the Bath’ is an euphoric, anthemic track with a thrumming bass, sparse instrumentation and Allday’s voice a velvet cloak over the muscular rhythms. The synths in the distance have the richness of M83, the guitars chime and ring out.

In ‘Stolen Cars’, tales of illicit undertakings never sounded so smooth and melancholic: there is a delicious timbre to Allday’s voice – infused with a dreamer’s innocence yet laced with a touch of knowing experience. Allday says of the track:

Stolen Cars is about two people who think they can get away from everything and start over. I think it’s sort of a universal feeling, most people have been inside the weird dream of young love before. It doesn’t always last, but the optimism of that moment is something to hold onto.  Most importantly, I think the song is great to dance to in the living room.

This theme of rebirth or renewal is indeed universal: and the yearning tone imparts that sense of innate optimism and hope. The accompanying video is similarly filled with a sense of youthful freedom:

‘Door;’ is a smooth liquid track with Allboy’s rap genes showing through the splashing guitars with his smooth flow, a jazzy feel compete with horns. Allday’s Australian tones are unadulterated and evocative.

‘The Paris End of Collins Street’ (a common description of an upmarket part of Melbourne) has a Go-Betweens style observational wry humour with jangling guitars and Allday’s gorgeous evocative vocals: overflowing with a melancholic and melodic air.

Here you come in the icy rain, wearing a very big jacket for a very small lady, we were standing at the Paris end of Collins Street at the bloody end of capitalism…

Breathtakingly and achingly beautiful.

‘After All This Time’ continues this stream of epically beautiful tracks: flowing on crisp acoustic guitars and a relentless sparkle and jangle that is reminiscent of the best indie music from the eighties. The lyrics are romantic and beautiful:

and after all this time
i’d do it all for you once again
it’s always you and i
and that’s the way it’s gotta be
and that’s the way it’s gotta be

Celestial jangling guitars and sweeping strings create a fast pace with a recurring riff that buries its way into your head.

‘Fast Ride’ is beefier with a hint of fuzzy, scuzzy guitars and a thundering rhythm section. Allday’s spoken verses have a dissociated tone but are wrapped in sky-scraping choruses.

‘Smoking With My Drinking Friends’ is an intoxicating album of perfect dream pop: achingly beautiful throughout with a magnificent poise and presence. There is not a weak spot in this album: it is filled with impeccable songwriting, a bouquet of sparkling jewels that glitter with a melancholic romanticism, delivered with world weary bittersweet vocals.

Out through Allday Music/Believe, you can download/stream ‘Drinking With My Smoking Friends’ here with a variety of physical merchandise available.

There is an incredible dream pop scene in Australia at the moment – Allday stands with other single named artists such as Mallrat, Rinse and Hatchie in producing some of the most monumental, atmospheric and beautiful music at the moment, and it is an absolute joy.

Allday has announced a series of dates to promote the album in August (tickets and details here):
Saturday, 7 August – Metro City – Perth
Friday, 20 August – Enmore Theatre* – Sydney
Saturday, 21 Aug – Thebarton Theatre – Adelaide
Friday, 27 August – The Forum – Melbourne
Saturday, 28 August – Fortitude Music Hall – Brisbane
*Licensed All Ages

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • album
  • Allday
  • backseat downunder
  • Indie
  • Indie pop
  • melbourne
  • New Music
Arun Kendall

Writer/ Senior Editor for Backseat Mafia (UK) and Backseat Downunder (Australia and New Zealand). Singer/guitarist/songwriter with Australian band The Hadron Colliders.

Previous Article
  • Music
  • Track / Video

See: SadGirl lament a broken love with ‘Goodbye Queenie’ and announce a west coast tour

  • May 27, 2021
  • Chris Sawle
View Post
Next Article
  • Backseat Downunder
  • Music
  • Track / Video

Track: Brisbane artist Edith Thomas Furey unleashes the evocative post punk slasher ‘Evenings in the Park With Charles (Part 3).

  • May 28, 2021
  • Arun Kendall
View Post
You May Also Like
Anthrax
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Anthrax prove their enduring power with high-velocity show at Sydney’s Enmore Theatre 28.03.2026

  • Deb Pelser
  • March 28, 2026
The Datsuns
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Avalanche and The Datsuns crash headfirst into Sydney’s Crowbar with high-octane sets 27.03.2026

  • Deb Pelser
  • March 27, 2026
View Post
  • News

News: Sam Foster Smith returns with cinematic indie anthem ‘Go With The Flow’

  • Simon Lucas-Hughes
  • March 27, 2026
View Post
  • News

News: Ellen Benediktson Returns with Maximalist Electro-Pop Single ‘WID4L’

  • Simon Lucas-Hughes
  • March 27, 2026
Michael Cavanagh
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: CAVS expands his sonic palette on new single ‘First Light’

  • Deb Pelser
  • March 27, 2026
Liliana de la Rosa
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Liliana de la Rosa expands her cinematic world on ‘High Like Heaven’

  • Deb Pelser
  • March 27, 2026
Bachelor Girl
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Bachelor Girl rework ‘Treat Me Good’ with Jessica Mauboy

  • Deb Pelser
  • March 27, 2026
View Post
  • Music

News: Dark Mofo Festival unveils the eclectic 2026 musical lineup as well as the usual spectacular arts and performance events

  • Arun Kendall
  • March 27, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: Big League unveil the anthemic swagger of ‘Windanswagger’ ahead of Australian/New Zealand tour

  • Arun Kendall
  • March 27, 2026
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: The Night Packers’ ‘Invisible Ink’ shines with a pop sensibility and a wry humour.

  • Arun Kendall
  • March 26, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
    EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
  • Live Gallery: Avalanche and The Datsuns crash headfirst into Sydney's Crowbar with high-octane sets 27.03.2026
    Live Gallery: Avalanche and The Datsuns crash headfirst into Sydney's Crowbar with high-octane sets 27.03.2026
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
  • Live Gallery: Madison Beer Brings the Heat to Sydney 30.08.2024
    Live Gallery: Madison Beer Brings the Heat to Sydney 30.08.2024
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d