0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Interview
  • Music

Meet: Gioumourtzina’s ‘Blakk Metall’: An Interview

  • August 10, 2016
  • J Hubner
Total
0
Shares
0
0
0

Gioumourtzina is a two-piece synth-heavy duo out of Thessaloniki, Greece. Their sound is a unique one, as it mixes and matches pieces of early 80s alternative, electronic, and Gothic vibes into a very modern sound. There’s a little Depeche Mode here, some Echo and the Bunnymen there, add a pinch of New Order and some Bauhaus darkness and finish it off with a touch of Luis Vasquez’ Soft Moon for good measure. Now don’t take that to mean Gioumourtzina’s Anestis Neiros and John Tselikas are merely copying and pasting their favorite bands into their own sound. On the contrary, these two have cultivated their own brand of dark and mysterious electro Goth that is quite unique; not only to the region, but to the electronic music scene at large. This is music you fall into. Their debut, Blakk Metall is the result of combining two distinct personalities and eccentricities and the trials and tribulations that come with that kind of musical partnership. Blakk Metall, while a wink and a nod to another, more pained musical playground, dabbles in pleasure and pain. It lives and breathes in the darkness, while still occasionally reaching for the light.

I spoke to the band about their music, the album, and the budding synth music scene in Greece.

greece

J. Hubner: So tell me about the band. How did Gioumourtzina come together? What bands did you two play in previously?

Anestis Neiros: Gioumourtzina came together by accident… I was searching for musicians to work on some of my tracks when I met Yannis. At first we were planning to make a full band, but working together we found out that we could make an interesting duet. Since then we have been a really happy couple.

As for me, I have been writing and playing music since I was 19, so through these years I took part in many bands playing various kinds of music.

J. Hubner: The sound is very unique. A mix of early 80s goth, UK electronic, and dark wave synth. When you two came together who were bands you bonded over and what helped to mold the sound we hear on your debut ‘Blakk Metall‘?

Anestis Neiros: I cannot say which bands we bonded over. However, I can definitely say that there are differences between us, concerning our musical taste! I think that these differences emerged through our musical interaction and finally contributed to the sound of Blakk Metall.

J. Hubner: This is an intoxicating LP. From “Russian Market” to “Blakk Metall” the album goes from exotic to dreamy to eerie darkness. What is the songwriting process like for Gioumourtzina? How does a song come to fruition from start to finish for you two?

Anestis Neiros: Songwritting process isnt the same for all of our songs. It depends on many factors. In general, I could say that someone starts writing down an idea. Sometimes we work together developing the song as we play the first idea again and again, or we work separately and then we put the parts together. In case that we disagree on a music issue, violence is the solution!

blakk metall

J. Hubner: Besides great songs, the album was engineered beautifully as well. Were there any albums that you two wanted to follow in their sonic footprints when going in to mixing and mastering ‘Blakk Metall’? Was the mixing and engineering done by you two, or did you have anyone in the studio helping out? Was the record self-produced?

Anestis Neiros: Sure,” Black” by Soft moon and “Dive” by Tycho were something like reference albums in my mind. The mixing process was done by us and mastering process was done by Giannis Christodoulatos by Sweetspot Productions. Blakk Metall was produced by Inner Ear Records located in Patra, Greece.  We would like to thank once again Periklis and Inner Ear Records for their support and contribution.

J. Hubner: What’s a Gioumourtzina live show like? Do people leave your shows with their psyche good and blown?

Anestis Neiros: Intensity, beating and sweat! For me a live show is the most exciting part! I really enjoy it! But you know…I am a member of the band!

J.Hubner: What’s the synth scene like in Greece?

Anestis Neiros: There are some great bands in Greece such as Kid Flicks, Melorman, Vercetti Technicolor, Mechanimal, Pan Pan, Larry Gus and NTEIBINT.

J. Hubner: So what’s next for the band? Will Gioumourtzina continue to release albums? What’s the future hold for you two?

Anestis Neiros: Currently, we are focused on releasing our second album and we are working on enhancing our sound in our new songs.  Down the road, we are going to participate in some great shows, such as Reworks Festival that is taking place on 14th -18th September in Athens.


Check out Gioumourtzina and grab their album here. Blakk Metall is on Inner Ear Records. Check them out here.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • Electro
  • Electronic
  • electronic interviews
  • goth
  • Greece
  • inner ear records
  • synth
J Hubner

Born in the bosom of the Midwest, USA, J Hubner grew up in a woods next to a cornfield that was just a throwing distance to a lake. Music has been a constant in J Hubner's life since he was a little kid soundtracking epic battles with Star Wars action figures with his older brother's Deep Purple, Megadeth, and W.A.S.P. cassettes. He started playing guitar at 12 and since 2006 has self-released 10 albums under the names Goodbyewave, Sunnydaymassacre, Dream District, and J. Hubner. Three years ago J Hubner began writing about music independently. Album reviews, artist interviews, and general musings on his love of music. He writes at www.jhubner73.com, www.backseatmafia.com, and several smaller musical publications. J Hubner is married with three kids and a miniature schnauzer named Otto. He still resides in the Midwest, USA. Near that same lake.

Previous Article
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The In-Laws

  • August 10, 2016
  • Rob Aldam
View Post
Next Article
  • Music
  • Not Forgotten

Not Forgotten: Rush – Rush

  • August 11, 2016
  • Jon Bryan
View Post
You May Also Like
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: The Night Packers’ ‘Invisible Ink’ shines with a pop sensibility and a wry humour.

  • Arun Kendall
  • March 26, 2026
TKAY
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tkay Maidza returns with explosive new single ‘Must Be’

  • Deb Pelser
  • March 26, 2026
Split Enz
View Post
  • Backseat Downunder
  • Music
  • News

News: Split Enz expand their Forever Enz Tour with new Brisbane and New Zealand dates

  • Deb Pelser
  • March 26, 2026
Stahr
View Post
  • Album Reviews
  • Backseat Downunder
  • Music
  • News

EP Review: STAHR interrogate memory and momentum on debut EP BLIP

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News

Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News

News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows

  • Deb Pelser
  • March 26, 2026
Snail Mail
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Tractor Beam’ finds Snail Mail exploring dissociation and distance

  • Deb Pelser
  • March 26, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: ‘Mother Please Forgive Me’ – Electro goth maestros Caligula reign supreme with their new emotional anthem.

  • Arun Kendall
  • March 26, 2026

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
  • Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
    Live Gallery: It's The End Of The World As We Know It-Electric Six Turn Manning Bar Into a Sweaty Disco-Punk Pressure Cooker 20.03.2026
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • News: The Pogues confirm Australian tour with new Brisbane show added
    News: The Pogues confirm Australian tour with new Brisbane show added
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

 

Loading Comments...
 

    %d