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instrumental guitar

10 posts
  • Album Reviews
  • Music

Album review: Shane Parish – ‘Liverpool’: pulling sea shanties leftfield and forward, forward, ho! for a post-industrial, post-rock generation KICKERS

  • February 28, 2022
  • Chris Sawle
IF YOU don’t know Shane Parish and his oeuvre – and chances are, unless you’re a regular reader of Wire and the deeper corners of Pitchfork and suchlike, you possibly…
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Album review: Duncan Marquiss – ‘Wires Turned Sideways In Time’: Phantom Band guitarist conceives of an instrumental, pastoral motorik for a place yet to exist

  • February 28, 2022
  • Chris Sawle
FROM disastrous events that upend your world can sometimes come good things; sometimes, I’m no Pollyanna here. Fortunately for Duncan Marquiss, guitarist with Chemikal Underground’s The Phantom Band, a major…
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Album review: Dragon Welding – ‘The Lights Behind The Eyes’: a new ambient folk for a beleaguered island from The Wolfhounds’ six-string sufi

  • May 2, 2021
  • Chris Sawle
IF YOU consider yourself a fan of great British guitar music and you haven’t investigated the canon of East London-Essex borderlands’ The Wolfhounds, then jeez, do you ever need to…
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See: The acid prism of Plankton Wat’s ‘Modern Ruins’: a delicious psychedelic instrumental response to our fracturing world

  • April 18, 2021
  • Chris Sawle
DEWEY MAHOOD, the atmospheric psychedelic guitarist who released his twelfth album as Plankton Wat for Thrill Jockey, Future Times, in late February, has dropped the shroom-surreal video for one of…
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See: The solarised dazzle of Dragon Welding’s ‘Scorched Sea’: a furnace extrusion of white-hot instrumental guitar

  • April 9, 2021
  • Chris Sawle
THE WOLFHOUNDS’ Andy Golding, one of the most potent wielders (welders?) of a guitar in operation in these tarnished isles today, is releasing only his second solo album under his…
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ALBUM REVIEW: Cameron Knowler & Eli Winter – ‘Anticipation’: excellent studies in twin guitar primitivism

  • March 7, 2021
  • Chris Sawle
We don't get to hear quite enough of the modern fingerpicking style this side of the Atlantic, so if you've drifted off from the form somewhat since Jack Rose passed, or wish to explore beyond William Tyler; then hell; start right here. A grand tour of two instruments and two musical minds woven together so tightly and also unravelling like fronds of a fern, seeking all the multiplicity of new directions in folk. An excellent record
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Track: Deniz Cuylan – ‘Object Of Desire’: a second luscious essay in solo guitar pastoralism

  • March 4, 2021
  • Chris Sawle
TURKISH multi-instrumentalist and composer Deniz Cuylan, whose altogether lovely experimental classical guitar essay “Flaneurs In Hakon” we fell for a fortnight back, has proved that he has plenty more guitar…
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Track: Cameron Knowler & Eli Winter share the spiralling guitar wonder of ‘Parapraxis of a Dragonfly’

  • February 21, 2021
  • Chris Sawle
TWO ADEPT young guns of the fingerstyle guitar, Cameron Knowler and Eli Winter really came to appreciate each other on a winter tour of the Trans-Pecos region of West Texas. …
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See: Deniz Cuylan – ‘Flaneurs In Hakone’: stunning, chiming guitar soli from Turkish composer

  • February 21, 2021
  • Chris Sawle
IT ALL started with Beethoven’s Fifth. That’s LA-based, Istanbul-born composer and exponent of modern guitar composition Deniz Cuylan’s first and wholly abiding memory of music; it’s the early Eighties, he’s…
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ALBUM REVIEW: William Tyler – ‘Music From First Cow’: chiming soundtrackery from Tennessee gent

  • July 26, 2020
  • Chris Sawle
IT SHOULDN’T really come as a surprise to anyone who has followed William Tyler’s solo career, or heard him give the background to any of his seductive, chiming guitar odysseys, that…
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