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See: The acid prism of Plankton Wat’s ‘Modern Ruins’: a delicious psychedelic instrumental response to our fracturing world

  • April 18, 2021
  • Chris Sawle
Dewey Mahood, aka Plankton Wat
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DEWEY MAHOOD, the atmospheric psychedelic guitarist who released his twelfth album as Plankton Wat for Thrill Jockey, Future Times, in late February, has dropped the shroom-surreal video for one of that excellent album’s standout tracks, “Modern Ruins”, a track all garlanded about with echo and twang-shimmer and flutes – you can watch that below.

The former Eternal Tapestry guitarist got together with Portland film-maker and musician of many stripes in his own right Dustin Dybvig to put together a little film by turns starkly one man and his guitar and increasingly acid prismatic, couched in the crumbling post-industrialism of the Oregon city.

Since leaving the deep psych jam shores of Eternal Tapestry, Dewey’s solo guitar excursions have burrowed ever deeper into a psychedelic response to an ever-fracturing world and weaves a path of hope through the darkness.

Plankton Wat’s Future Times is out now from Thrill Jockey digitally, on CD, and on trad black and limited translucent red vinyl; you can order yours direct from the label or, if you’re in the UK, then Rough Trade is a safe bet.

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  • experimental
  • experimental video
  • guitar soli
  • instrumental guitar
  • Plankton Wat
  • psychedelia
  • psychedelic video
  • Thrill Jockey
Chris Sawle

Sometime scribe and inveterate crate-digger, adoring all things C86, psych, soundtrack, breakbeat, electronica and post-rock from the toe of West Cornwall.

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