guitar soli
Album review: Shane Parish – ‘Liverpool’: pulling sea shanties leftfield and forward, forward, ho! for a post-industrial, post-rock generation KICKERS
IF YOU don’t know Shane Parish and his oeuvre – and chances are, unless you’re a regular reader of Wire and the deeper corners of Pitchfork and suchlike, you possibly don’t – be prepared to have a new guitar soli-meets-postrock pin-up rock up on your block, as his new album, Liverpool, takes what might be …
See: Guitarist Duncan Marquiss ventures into folk motorik with the seductive ‘Drivenhalle’
ELSEWHERE a very fine guitarist with The Phantom Band, Duncan Marquiss is stepping out into the world of solo instrumental guitar in the spring with an album for folk imprint of high regard, Basin Rock. And he’s already held in such esteem in guitar soli circles that he’s picked up a support slot with the …
Track: Leo Abrahams pushes six strings into a pyroclastic flow of glitch on ‘Spiral Trem’
GRADUATE of the esteemed Royal Academy of Music, and a man who’s collaborated musically with a host of the truly great and good – that CV including, since you ask, Brian Eno, Imogen Heap, David Byrne, Grace Jones, Regina Spektor, Jon Hopkins and Paul Simon, and that’s just a précis; on that CV Leo Abrahams also has also …
Track: Leo Abrahams’ ‘Harm Organ’ refracts solo guitar through a hall of ‘tronica mirrors
LONDON-based guitarist, composer and sonic manipulator Leo Abrahams has shared another track of out-six string journeying from next month’s album for figureight, Scene Memory II. it’s called “Harm Organ”, it’s a real hall of mirrors, and you can listen to it below. An alumnus of Marylebone’s Royal Academy of Music, and besides being one half …
Album review: Cameron Knowler – ‘Places Of Consequence’: a new music as old as the hills, immersive and atmospheric
TEXAN solo guitar practitioner and melodicist Cameron Knowler – whose lovely, exploratory album with Eli Winter, Anticipation, we fully embraced in early March – is unveiling his very first solo album with American Dreams this coming week. A lifelong Westerner and recent Los Angeles transplant, Knowler spent his childhood in Yuma, Arizona and Houston, Texas, …
With his debut solo album just a fortnight away, Cameron Knowler invites us to contemplation in ‘Kuyina’
WITH HIS two-hander album with Eli Winter, Anticipation, an excellent study in guitar primitivism, just three months behind us in the rear-view mirror, Texas acoustic explorer is just a fortnight or so away from the release of his debut album proper, Places Of Consequence – a study of roots, memory and the land in the …
Track: Cameron Knowler – ‘Lena’s Spanish Fandango’: a tender and plaintive Americana air
TEXAN solo guitar practitioner and melodicist Cameron Knowler – whose lovely, exploratory album with Eli Winter, Anticipation, we fully embraced in early March – has announced he’s to unveil his first solo album on American Dreams, Places Of Consequence, in mid-July. To tempt you further into his world and to pique your curiosity – and …
See: Texan guitar melodicist Cameron Knowler announces his debut solo album; come see the video for the atmospheric ‘Puerto Suelo’
TEXAN solo guitar practitioner and melodicist Cameron Knowler – whose lovely, exploratory album with Eli Winter, Anticipation, we fully embraced in early March – has announced he’s to unveil his first solo album on American Dreams in mid-July. To tempt you further into his world and to pique your curiosity – and if you love …
See: The acid prism of Plankton Wat’s ‘Modern Ruins’: a delicious psychedelic instrumental response to our fracturing world
DEWEY MAHOOD, the atmospheric psychedelic guitarist who released his twelfth album as Plankton Wat for Thrill Jockey, Future Times, in late February, has dropped the shroom-surreal video for one of that excellent album’s standout tracks, “Modern Ruins”, a track all garlanded about with echo and twang-shimmer and flutes – you can watch that below. The …
Album review: Deniz Cuylan – ‘No Such Thing As Free Will’: a pastoral instrumental guitar gem
No Such Thing As Free Will is a much prettier and more enveloping record than words can convey; it has a really nice poise between the disciplines of the leftfield, the guitar soli and that of bright folk melody. In this regard if you’re a fan of early to mid-period James Blackshaw, but also very much the quartet of ‘free folk’ albums Stockholm’s Andreas Söderström released as ASS in the decade from 2006, you’ll find an awful lot to love. A bright, studious, harmonic, pastoral gem