0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • Film
  • Film Festival

Tallinn Black Night Review: A PLace Called Dignity

  • November 22, 2021
  • Rob Aldam
The children meet Krampus
Total
0
Shares
0
0
0

After the end of World War II, many Nazis fled to safe havens abroad, often ending up in South America where they (generally) received a warm welcome. It’s estimated that almost 10,000 Nazi officers and collaborators forged a new life in Argentina, Brazil or Chile. The latter played host to Colonia Dignidad, an isolated commune where these German settlers were allowed to carry out torture, abuse and murder. It provides the setting for A Place Called Dignity.

Pablo, a 12-year-old Chilean boy, wins a scholarship to study and live in the mysterious Colonia Dignidad. He quickly becomes the favourite of the leader of the colony, Paul Schäfer, or ‘Uncle Paul’ to his boys and girls. While Pablo is desperate to earn the privileges of a ‘sprinter’, which include being able to watch TV every day, he begins to notice strange things happening within the camp.

A Place Called Dignity is an impeccably made period drama which plays out like a dark fairy tale. This period and institution remain taboo subjects in Chile. Director Matias Rojas Valencia’s film does a great job of highlighting the horrendous practices which took place while, at the same time, being an engaging and moving drama. There’s a sense of inevitability to A Place Called Dignity. One which casts a shadow over each moment.

A Place Called Dignity screens at Tallinn Black Nights Film Festival.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading...

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • A Place Called Dignity
  • Matias Rojas Valencia
  • Tallinn Black Nights Film Festival
Rob Aldam

Rob worked on a number of online music magazines, both as a writer and editor, before concentrating on his first love - film. After stints as Cultural and Film Editor on local magazines, he took up residency as Film Editor at Backseat Mafia. He specialises in covering world cinema, independent film, documentaries, and championing the underdog.

Previous Article
  • Album Reviews
  • Music

Album Review: Fluxion – Parallel Moves

  • November 22, 2021
  • Adrian Barr
View Post
Next Article
cover art of "into what is wanted"
  • Track / Video

See: New project from flautist Gina Izzo brings the listener “into what is wanted”

  • November 22, 2021
  • Staff Writers
View Post
You May Also Like
View Post
  • Backseat Downunder
  • Film
  • Music
  • News

News: The life and times of William Arthur and his iconic Sydney band Glide is explored in ‘Disappear Here’, a film by Ben deHoedt.

  • Arun Kendall
  • February 3, 2025
View Post
  • Film
  • FIlm Review

Film Review: January

  • Rob Aldam
  • January 24, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Iron Butterflies

  • Rob Aldam
  • January 23, 2023
View Post
  • Film
  • Film Festival

Sundance Review: Slow

  • Rob Aldam
  • January 22, 2023
View Post
  • Film
  • Film Festival

Sundance Review: When It Melts

  • Rob Aldam
  • January 22, 2023
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Villa Rides

  • Rob Aldam
  • January 16, 2023
View Post
  • Classic Cinema
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: The Fighting Kentuckian

  • Rob Aldam
  • January 10, 2023
View Post
  • Film
  • FIlm Review

Film Review: Corsage

  • Rob Aldam
  • December 19, 2022
View Post
  • Film
  • FIlm Review

Film Review: Jurassic Punk

  • Rob Aldam
  • December 13, 2022
View Post
  • DVD/Blu-Ray Review
  • Film

Blu-Ray Review: Adrift in Tokyo

  • Rob Aldam
  • December 12, 2022

Leave a ReplyCancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
    Track: VAN PLETZEN and SOSSI reimagine ‘Maia-hee’ as a hyper-colour dancefloor revival
  • Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
    Track: Luk45 blurs genre lines on introspective new track ‘Candles!’
  • News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
    News: Lydia Lunch returns to channel Suicide’s raw intensity in Australian shows
  • EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
    EP Review: The Night Packers' 'Invisible Ink' shines with a pop sensibility and a wry humour.
  • Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
    Album Review: Pan•American – ‘Fly The Ocean In A Silver Plane’: An intricate set of guitar blessed ambience which steer the emotions.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

%d