Live review: The Lovely Eggs at the Trades Club, Hebden Bridge.
When a singer is hammered on stage it is usually incredibly irritating but tonight it actually adds to the anarchy this talented duo seem to thrive on. When Holly Ross lurches up to the mic and says with utter conviction this what we believe, then launches into an energised Fuck It , you know they …
Album Review: Union Blak – Street English
Despite the fact that it has now been out for over a month, it is surely not too late to welcome an album which overwhelmingly defies the commonly-heard aphorism that ‘real’ Hip Hop is dead. It exists, a subterranean animal, evidenced only when deliberately sought out or inadvertently stumbled upon – proof incarnate of this …
Track: Laura Marling – False Hope
Knowing very little, in fact nothing at all about Laura Marling, I did what any normal muso with OCD would do and checked my collection. The closest I could get was the miseducation of Lauryn Hill before the alphabetisation leapt to Led Zep, Leftfield, The LemonHeads and the Levellers so I lowered the cherry-picker, washed …
Track: Bred For Pleasure – Better then This pt.2
Out now on Lower East is the debut release from Bred for Pleaasure, a duo comprising of South African producer Quinin Christian (notable for engineering the likes of Rudimental, Bondax and Gorgon City) and Canadian Vandermeer, who has released records on labels such as My Favorite Robot and Rawthentic Music over the years. On pressing …
Track: Crocodiles – Crybaby Demon
“Who needs the future when the past tastes so good?” is something you might hear Brandon Welchez shout over to his band mate, Charles Rowell, as they hurtle down a pot-holed freeway in a rusty Cadillac, its beige mammalian body adorned with mysterious stains. Every inch the speed-addled aquatic reptiles that their hallucinatory music suggests, …
Live: The Unthanks at Leeds Irish Centre
It seems unfair these days to label The Unthanks a folk band when they have clearly moved way past the restrictive traditions of that genre which all too often puts people off engaging with our nation’s indigenous music. They are on the road touring their new album Mount The Air and the dynamic live version …
Meet: We meet the legendary Anton Newcombe
Barely a year has gone by since the Brian Jonestown Massacre’s fourteenth (!) long player hit the stores like cloud of dense mauve smoke. Revelation was the first BJM record to have been recorded entirely in Anton Newcombe’s Berlin studio, yet it displayed sonic characteristics already familiar to many long-serving fans: elongated, repetitive structures; layered …