The Enmore Theatre feels unusually hushed as the lights dip, a collective attentiveness sharpened by circumstance as much as anticipation. After extreme weather disruptions forced Maren Morris to cancel earlier Australian dates, tonight there is a sense that the Sydney crowd knows it is lucky to be here, to witness her return.
Before Morris steps out, Jack Gray opens the evening with a set that values restraint over flourish. His songwriting is direct and unguarded, the kind that asks for quiet and is rewarded with it. The Enmore’s natural intimacy works in his favour, and by the time he leaves the stage the room is calibrated for emotional closeness rather than spectacle.
Morris arrives to the pulsing sounds of Donna Summer’s I Feel Love. It is immediately clear this is The Popsicle Tour, and the visual language is as intentional as the emotional one. She steps onstage in a silver, glittering dress that refracts the room back at itself, every movement sending shards of light across the Enmore. She looks like an old-style movie star. Framed by a band that is tight and deeply in sync, Morris moves with ease between them, sharing glances, cues and small smiles.
She tells the room it has been too long, that she hasn’t been in Sydney since 2018. The band locks in behind her, giving the songs space to stretch and swell, while Morris’ voice carries cleanly across the room, powerful without strain, intimate without retreat.
The Enmore feels perfectly scaled for this version of her, close enough to register the details, the expressions, the way her voice lifts and settles. In a city that waited a long time for her return, Morris leaves an image that lingers, bright and precise.
The tour moves to NZ next, tickets HERE.
Images Deb Pelser
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