What So Not

Backseat Downunder Music News

News: What So Not and Buunshin Unite for New EP The Quiet That Hurts

Deb Pelser November 13, 2025

Australian innovator What So Not and Dutch producer Buunshin join forces for The Quiet That Hurts — a genre-defying EP exploring silence, creation, and connection. Featuring Lucy Lucy, Alina Pash, Aiko, and Mara Necia, the project blends heavy bass with meditative emotion.

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Backseat Downunder Music News

News: What So Not and Buunshin Unite for New EP The Quiet That Hurts

Deb Pelser November 13, 2025

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Backseat Downunder Music News

News: Mike Scott & The Waterboys To Bring “The Big Music” Back Down Under

Deb Pelser November 13, 2025

After more than ten years away, The Waterboys will return to Australia and New Zealand in May 2026 for a long-awaited tour celebrating their new album Life, Death and Dennis Hopper — and a legacy that continues to shape the sound of modern rock.

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8.9 Album Reviews Music News

Album Review: Yalla Miku –‘2’: an energetic, ‘post-world’, sonic cocktail direct from the Bongo Joe community.

John Parry November 13, 2025

If ever there was an imprint that was more than just another indie record label it’s Bongo Joe. A musicians’ collective, a community, a shop and watering hole, a barometer of Geneva’s underground scene, an epicentre for ‘post -world’ music, this cutting-edge Swiss co-op is now in its tenth year. Fitting then that Bongo Joe’s …

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News

News: SANDS Releases New Video For ‘So Real’

Simon Lucas-Hughes November 13, 2025

London-based psych-pop artist SANDS unveils the cinematic new video for his track ‘So Real’. The video arrives shortly after his double single release, ‘So Real’ and ‘Pirate’. Directed by visual artist Eddie Plex, the ‘So Real’ video brings SANDS’ dreamlike sound to vivid life. Combining live-action sequences with computer-generated imagery, the film captures the song’s …

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Backseat Downunder Gallery Live Review Music News

Live Gallery: Pixies at Sydney’s Hordern Pavilion 13.11.2025

Deb Pelser November 13, 2025

At the Hordern Pavilion, the Pixies remind Sydney why their sound has endured. Sharp, taut, and emotionally charged, their set feels less like a throwback and more like a statement of continued purpose.

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