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Album Reviews

3341 posts
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Album Review: Red Gazelle Trio – ‘On A Human Level’: naturally soulful and melodically warm, a new Nordic jazz gem.

  • February 5, 2025
  • John Parry
Perceptions and pronouncements about Nordic Jazz can often return to parts of the classic ECM catalogue with its sophisticated coolness, ambient leanings and breathtaking spaciousness. But naturally, the Scandinavian scene…
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Album Review: Lawrence English – ‘Even The Horizon Knows Its Bounds’: evocative electronic music which engulfs and surrounds.

  • February 3, 2025
  • John Parry
Considering theorist, writer, artist, curator and composer Lawrence English’s creative output over the last two decades, the phrase ‘a body of work’ inevitably looms. It’s a descriptor that generally feels…
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Album Review: Scandinavian blues/roots heavyweights, Thorbjørn Risager & The Black Tornado release 9th studio album, House of Sticks

  • February 1, 2025
  • Andrew Fuller
For the uninitiated, Thorbjørn Risager & The Black Tornado are an 8-piece blues/roots band hailing from Denmark. With a traditional set up of vocals, guitars, bass and drums, they are…
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News: The Lovetones surprise with a compilation album ‘The Song Is My Friend’, filled with luscious jingle jangle pop.

  • February 1, 2025
  • Arun Kendall
The glorious The Lovetones have take everyone by surprise by issuing a shimmering compilation album entitled ‘The Song Is My Friend’. Songwriter Matthew J. Tow describes the compilation as a…
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Album Review: Indie rock royalty the Snarski brothers join forces in Snarski vs Snarski for the exquisite album ‘Waiting For The Bell’ and announce tour dates.

  • January 28, 2025
  • Arun Kendall
The Snarski brothers are indie rock royalty here in Australia. Forming the iconic Chad’s Tree in the eighties, both brothers have continued to make a major contribution to the music…
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Album Review: Être Ensemble – ‘Sans Toi’: Joni Void’s leftfield collective take a looping, twitchy, journey of despair and beauty

  • January 28, 2025
  • John Parry
Jean Néant aka Joni Void, sonic collagist, producer and beat-maker may be most visible as the persona responsible for three singular Constellation albums (‘Selfless‘, ‘Miss En Abyme’ and 2023’s ‘Everyday…
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Album Review: Lophae – ‘Perfect Strangers’: thrilling, fine-tuned jazz with subtle powers.

  • January 24, 2025
  • John Parry
There’s a playful irony in both the band and album names chosen by this new London jazz quartet led by guitarist/composer Greg Sanders. For a start this lush, intricately woven…
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EP Review: Joshu Shines On Intimate New EP ‘Way Back Home’

  • January 23, 2025
  • Simon Lucas-Hughes
After a life-altering journey across the Atlantic Ocean, indie-folk artist Joshu is ready to share the fruits of his introspective voyage with the release of his third EP, Way Back…
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Album Review: Re-release of nineties underground band Sex Industrie’s album ‘Sex’ll Sell Anything’ reveals a thrilling gem

  • January 16, 2025
  • Arun Kendall
In a year when one of Sydney’s more iconic underground eighties band, The Crystal Set, is reforming with a series of gigs with fellow jingle jangle exponents Ups & Downs…
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Album Review: Weathership – Splendid Beast

  • January 14, 2025
  • Craig Young
A tortured start, ‘Golden Age’ has a gilded, fragile guitar-led edge to it. It is dominated by singer J.P Riggall’s laid-back vocals and lyrics that say so much with so…
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