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Backseat Downunder

4026 posts

New releases from Australia and New Zealand

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Track: Freya Ridings Returns With Defiant New Single ‘Wild Horse’

  • February 20, 2026
  • Deb Pelser
Freya Ridings
Freya Ridings has released ‘Wild Horse’, her first new music of 2026 and a statement of creative renewal. Written in Los Angeles and produced by Sam De Jong, the track marks the beginning of a new chapter ahead of a forthcoming album.
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Holly Hebe
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Track: Holly Hebe Shares Sun-Drenched New Single ‘Swimsuit’

  • February 20, 2026
  • Deb Pelser
Holly Hebe has released ‘Swimsuit’, a playful yet reflective new single that captures the rush of attraction alongside the inevitability of heartbreak. Fresh from supporting Rainbow Kitten Surprise nationally, the Melbourne artist signals a confident new phase in her evolving pop sound.
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Primavera sound
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News: Primavera Pro 2026 Confirms Programme at Barcelona’s CCCB

  • February 20, 2026
  • Deb Pelser
Primavera Pro will return from 3–5 June 2026 at Barcelona’s CCCB, running alongside Primavera Sound. The 17th edition will bring together conferences, networking sessions and a globally diverse showcase programme, reaffirming its position as a key meeting point for the international music industry.
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Peach PRC
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Track: Peach PRC Offers Another Glimpse of Porcelain Before ANZ Tour

  • February 20, 2026
  • Deb Pelser
Peach PRC has released ‘Eucalyptus’, the latest track from her forthcoming debut album Porcelain, out April 3. Ahead of her Australia and New Zealand Wandering Spirit Tour, the song reflects on growth, doubt and the quiet acceptance that comes with getting older.
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Of Monsters and Men
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News: Of Monsters and Men Announce Australian Return With The Mouse Parade Tour

  • February 20, 2026
  • Deb Pelser
Of Monsters and Men will return to Australia in May 2026 for The Mouse Parade Tour, marking their first visit in over six years. The run supports their new full-length project All Is Love and Pain in the Mouse Parade, with Australian artist Gordi joining all dates.
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Moby
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News: Moby Announces 28-Date European Tour as ‘Future Quiet’ Lands

  • February 19, 2026
  • Deb Pelser
Moby has released his 23rd studio album Future Quiet and announced a 28-date European tour for summer 2026, including sold-out UK and Ireland shows in Brighton, London and Dublin. Balancing piano minimalism with immersive ambience, the record marks a reflective new chapter for one of electronic music’s most enduring figures.
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Genesis Owusu
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Track: ‘STAMPEDE’ Sees Genesis Owusu Turn Frustration Into Collective Fire

  • February 19, 2026
  • Deb Pelser
Genesis Owusu has released ‘STAMPEDE’, a synth-punk rallying cry filmed in Accra and rooted in the power of community. Expanding on the urgency of ‘PIRATE RADIO’ and ‘DEATH CULT ZOMBIE’, the Ghanaian-Australian artist channels global frustration into collective action — turning rhythm into resistance.
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Morcheeba
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Live Gallery: Morcheeba Mark 30 Years of Trip-Hop Elegance at Sydney’s Enmore Theatre 19.02.2026

  • February 19, 2026
  • Deb Pelser
At Sydney’s Enmore Theatre, Morcheeba celebrated 30 years of genre-blurring music. Supported by James Lavelle’s one-off UNKLE SOUNDS show, the night felt less like nostalgia and more like a reminder of how quietly influential trip-hop remains.
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Poison the Well
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Track: Poison The Well Announce First Album in 16 Years With ‘Peace In Place’

  • February 19, 2026
  • Deb Pelser
Poison The Well will release Peace In Place, their first album in 16 years, on March 20 via SharpTone Records. Led by the brooding, tension-heavy single ‘Everything Hurts’, the record marks a return to the band’s signature quiet/loud dynamics while confronting the strain and endurance required to keep relationships alive.
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Julia Cumming
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Track: Julia Cumming Announces Debut Solo Album ‘Julia’ and Shares ‘My Life’

  • February 19, 2026
  • Deb Pelser
Julia Cumming will release her debut solo album Julia on April 24 via Partisan Records, marking a decisive new chapter for the longtime Sunflower Bean frontwoman. Led by the piano-driven single ‘My Life’ and accompanied by a video directed by Edgar Wright, the record frames Cumming’s solo turn not as reinvention but as release — an assertion of agency shaped by classic American songwriting and hard-won self-clarity.
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