album review
ALBUM REVIEW: Coldharbourstores – ‘Dearly Devoted’: gorgeous dreampop fourth
Coldharbourstores’ fourth is absolute industry standard dreampop – a hallmark by which the genre can be measured. It’s glowing, blissful and leftfield, while still being full of pop melodicism
ALBUM REVIEW: Anna McClellan – ‘I Saw First Light’
While this may be her third album, you get the feeling this is merely the tip of the iceberg and there is so much more in terms of potential and ability at her disposal
ALBUM REVIEW: Cabane – ‘Grande est la maison’
Meditative, soothing chamber-folk from the long-standing collaborative project – a lockdown soundtrack
ALBUM REVIEW: Alabaster dePlume – ‘To Cy And Lee Instrumentals Vol. 1’
Thought-provoking British songwriter delves into jazzy instrumental vignettes
EP Review: Farer – Monad
Dutch doom/noise trio Farer have released a uniquely sounding EP with the use of vocals, drums and just two bass guitars. The guys have created an unearthly soundscape of heavy grinding riffs and deep pulsating rhythms over 4 tracks that each exceed 10 minutes in length. As the guys state: “Monad is a testament to …
Meet: Dutch Doom Noise trio Farer as they release their debut EP – Monad
With their first EP Monad, see our review here, Farer have created 4 tracks of despair and suffering using two bass guitars, drums and the human voice in all its severe forms. An intriguing combination and something we wanted to know about. Luckily we managed to sit down and set some questions to Frank de …
ALBUM REVIEW: Ana Roxanne – ‘Because Of A Flower’: a blissful vocal gem from Kranky
Ana Roxanne’s debut LP for Kranky is a beautiful, ambient album that examines ideas about gender, identity and beauty whilst remaining ultimately soothing. It’s one to return to when in need of solace.
ALBUM REVIEW: Subp Yao – ‘Infra Aqual’: deep into the dark IDM ocean trenches
If you’re a fan of the shearing and crushing end of the dance music spectrum – anything from (on-form) The Prodigy through Harthouse and Tresor styles – and fancy the idea of that real defleshed aesthetic spliced with some darker downbeatz interludes, this is a record you’d find rewarding to explore
ALBUM REVIEW: Ian William Craig & Daniel Lentz – ‘FRKWYS Vol.16: In A Word’: fragile, seductive experimenta for voice, tape and piano is
Ian William Craig & Daniel Lentz’s FRKWYS Vol.16: In A Word is a fragile and beautiful work for classical voice, piano, and tape decay, roaming across a broad and brittle hinterland between Gorecki and Basinski
ALBUM REVIEW: Laura Fell – ‘Safe From Me’: an incredible voice, a brilliant debut
A truly splendid and gorgeous debut set from this incredible new singer-songwriting talent demands room in your life